PRABHÁT SAM'GIITA GLOSSARY
and other A’nanda Marga related Non-English
w ords and phrases explained in English
ARRANGED
AS PER ROMAN
SAM’SKRTA ALPHABET
GRADUALLY BEING COMPILED,
UPDATED, CORRECTED AND EDITED BY
P.D.NARAYAN
for his own study, reference and revision and the benefit
of others through this site
(he will be obliged to persons suggesting more appropriate words
and translations at: dwijendra_1@yahoo.co.in)
ACOUSTIC
ROOTS OF PROPENSITIES CONTAINED IN CAKRAS OR PLEXUS @ SPINAL CHORD
A, A’, I, II,
U, U’, R, RR, LR, LRR, E, AE, O, AO, AM’, AH, - VISHUDDHA CAKRA (SIDEREAL
PLEXUS @ THROAT)
KA, KHA, GA,
GHA, UNA, CA, CHA, JA, JHA, INA, T’A, T’HA, - ANA’HAT CAKRA (SOLAR PLEXUS @ MID-CHEST)
D’A, D’HA,
N’A, TA, THA, DA, DHA, NA, PA, PHA, - MANIPUR CAKRA (IGNEOUS PLEXUS @ NAVE)
BA, BHA, MA,
YA, RA, LA, - SVA’DHIS’T’HANA CAKRA (FLUIDAL PLEXUS) @ BETWEEN NAVE &
ANUS)
VA, SHA, S’A,
SA, - MU’LA’DHA’R CAKRA (TERRAINIAN PLEXUS @ BETWEEN ANUS AND GENITAL)
KS’A, HA, - A’JINA’
CAKRA (LUNAR PLEXUS @ BETWEEN EYE BROWS)
ROMAN SAM’SKRTA (TANTRA BASED, PHONETIC) SCRIPTS
with subsequent additions
Based on the
guidelines given by Shrii Shrii A’nandamu’rti,
Method of orderly arrangement in
standard popular dictionaries of Bengali, Hindi (Devana’garii) etc. also
incorporated including some modifications in symbols needed for ease of computerization
|
Roman
Sam’skrta (Sanskrit) SYMBOLS |
Characteristics of Pronunciation |
PRONUNCIATION EXAMPLES |
International
Phonetic
Alphabet
(IPA) SYMBOLS |
Acoustic
Root (Tantrik
Biija Mantra of mental propensity) +Remarks |
|
An Its
inclusion essential for certain sound |
Nasalization |
Restaurant, Kha’n, phanka, a’nca’no,
a’nta, a’ncala, a’njala’, a’nta,
a’nsha, ka’nda, kha’nda, ga’nda’,ca’nda’, cha’nda, jha’njha,
d’a’nta, ca’nda, pa’nca, pha’nda,
ba’ndha, |
|
It
is chandravindu, special form of half-vowel, not a complete ayogava’ha |
|
1)
A |
Vowel,
many (21 but mainly 3) styles of pronunciation |
cup, luck, but, bud, run, love, |
|
1.
S’ad’aja (Voice
of Peacock) |
|
2)
A’ |
Vowel |
arm, father, alm, palm, far, path, bar, harm, |
|
2.
Rs’abha (Voice
of ox) |
|
3)
I |
Vowel |
hit, sitting, dig, pig, rig, pin, lid, |
|
3.
Ga’ndha’r (Voice
of goat) |
|
4)
II |
Vowel |
see, heat, beef, feet, treat,
|
|
4.
Madhyama (Voice
of horse) |
|
5)
U |
Vowel |
put, could, bull, full, |
|
5.
Paincama (Voice
of cuckoo) |
|
6)
U’ |
Vowel |
blue, food, foot, boot, soot, zoo, moon, rule,
|
|
6.
Dhaevata, (Voice
of donkey) |
|
7)
R |
Vowel,
short R, without inherent a of
consonant Ra, (Rigvedic), Ri
(Yajurvedic) & Ru (Atharva Vedic) also used. Tongue moving from retroflex
position to strike against the teeth ridge. |
Turn, learn, blurr, curb, |
|
7.
Nis’a’da, (Voice
of elephant) |
|
8)
RR |
Vowel,
Vedic, not common |
--- |
|
8.
Onm Creation |
|
9)
LR |
Vowel,
Vedic, not common |
--- |
|
9.
Hummm (Sound
of Kund’alini rise, war) |
|
10)
LRR |
Vowel,
Vedic, not common |
--- |
|
10.
Phat’ Practication |
|
11)
E |
Vowel |
day, met, bed,
away, pen, age, edge, pain, major, they, |
|
11.
Vaos’at’ mundane
knowledge |
|
12)
AE |
Vowel |
cat, black, say, hat, |
|
12.
Vas’at’ welfare
in subtler arena |
|
13)
O |
Vowel |
call, four, go, home |
|
13.
Sva’ha’ performing
noble actions |
|
14)
AO |
Vowel |
hot, rock, now, out, how, |
|
14.
Namah, (Surrender
to Supreme) |
|
15)
AM’ |
Demi
Vowel |
Song, rung, |
|
15.
Vis’a, (Repulsive
expression) |
|
16)
AH |
Demi
Vowel |
blah, pooh, |
|
16.
Amrta (Sweet
Expression) |
|
17)
KA |
Consonant |
cat, back, car, cap, coat, kite, |
|
17.
A’sha’ (hope) Acoustic
root of the Cosmic Mind |
|
Qua |
Arabic |
Ka
with tongue further back Quasim,
Koran, qutubuddin, question, quest, shark, hawk, haquikat, fakir, |
|
Nil |
|
18)
KHA |
Consonant (aspirated Ka) |
Kha’n, eckhart, bach, |
|
18.
Cinta’ (worry) |
|
Qhua |
Arabic |
Ka
with tongue further back Kha’ja’, |
|
Nil |
|
19)
GA |
Consonant |
Give, flag, go, goat, green, |
|
19.
Ces’t’a’ (endeavor) |
|
20)
GHA |
Consonant
(aspirated Ga) |
ghost, aghast, dig-hard, |
|
20.
Mamata’ (mine-ness,
love) |
|
21)
UNA |
Consonant |
sing, finger, tank, plank, blank, bank, |
|
21.
Dambha (Vanity) |
|
22)
CA |
Consonant |
check, church, chair, charm, chip, choice, cheek, |
|
22.
Viveka, Conscience |
|
23)
CHA |
Consonant
(aspirated Ca) |
staunch-heart, |
|
23.
Vikalata’ (imbalance) |
|
24)
JA |
Consonant
Hard, Vargiiya |
just, large, jam, jelly, |
|
24.
Aham’ka’ra (ego) |
|
JINA |
Combined
Consonant |
jina’na, |
|
|
|
JA
(or
YA) |
Light
Ja, for initial antastha Ya of word, close to za. |
joga
(for yoga), jama (for yama)
|
|
|
|
Za |
Arabic |
Zamin,
zaha’n, |
|
|
|
25)
JHA |
Consonant
(aspirated Ja) |
hedgehog, |
|
25.
Lolata’ (Avarice) |
|
26)
INA |
Consonant |
canyon, |
|
26.
Kapat’ata’ (hypocrisy) |
|
27)
T’A |
Consonant,
|
tea, getting, tank, coat, tub, |
|
27.
Vitarka (altercation) |
|
28)
T’HA |
Consonant
(aspirated T’a) |
Light-heart, |
|
28.
Anuta’pa, (Repentance) |
|
29)
D’A |
Consonant |
did, lady, dam, drown, |
|
29.
Lajja’ (Shyness) |
|
R’A |
D’a,
when not at start of the word |
cuddle, |
|
|
|
30)
D’HA |
Consonant
(aspirated D’a) |
Red-hot, |
|
30.
Pishunata’ (sadistic
trend) |
|
R’HA |
D’ha
when not at start of the word |
Andrew, |
|
|
|
31)
N’A |
Consonant,
|
rna, krs’n’a, |
|
31.
Iirs’a’ (envy) |
|
32)
TA |
Consonant
(dental) |
restaurant, |
|
32.
Sus’upti (staticity,
sleepiness) |
|
33)
THA |
Consonant
(aspirated (dental)Ta) |
think, both, teeth, |
|
33.
Vis’a’da (Melancholia) |
|
34)
DA |
Consonant
(dental) |
this, mother, they, |
|
34.
Ka’s’aya (peevishness) |
|
35)
DHA |
Consonant
(aspirated (dental)Da) |
dharma, |
|
35.
Trs’n’a (Yearning
for acquisition) |
|
36)
NA |
Consonant,
(dental) |
No, ten, night, nut, |
|
36.
Moha, (infatuation) |
|
37)
PA |
Consonant |
pet, map |
|
37.
Ghrn’a’, (hatred,
revulsion) |
|
38)
PHA |
Consonant
(aspirated Pa) |
find, if |
|
38.
Bhaya, (fear) |
|
Fa |
Arabic |
Graph, tough, |
|
|
|
39)
BA |
Consonant |
bad, lab |
|
39.
Avajina’ (indifference) |
|
40)
BHA |
Consonant
(aspirated Ba) |
voice, five, van, rub-hard |
|
40.
Mu’rcha’ (stupor, lack of common sense) |
|
41)
MA |
Consonant |
man, lemon |
|
41.
Prashraya’ (indulgence) Acoustic
root of destruction, |
|
42)
YA (antastha
or located at the end) |
Vowel
conjunct, Diphthong (Ja at
start of word, otherwise ia) |
near, hear, |
|
42.
Avishva’sa (Lack
of confidence) |
|
43)
RA (antastha
or located at the end) |
Vowel
conjunct, Diphthong (Ra at start with tongue touching teeth, otherwise
without touching the teeth) |
red, try, run, |
|
43.
Sarvana’sha (helplessness) |
|
44)
LA (antastha
or located at the end) |
Vowel
conjunct, Diphthong (La at start of the word, otherwise Lra) |
leg, little |
|
44.
Kru’rata’ (cruelty) |
|
45)
VA (antastha
or located at the end) |
Vowel
conjunct, Diphthong (Va at start of the word otherwise wa) |
wet, window |
|
45.
Dharma (psycho
spiritual longing) |
|
46)
SHA (Us’ma
or warm) |
Warm,
(aspirated) PALATAL, |
she, crash, cash, |
|
46.
Artha’ (psychic
longing) |
|
47)
S’A (Us’ma or warm) |
Warm,
(aspirated) CEREBRAL |
Krs’n’a, |
|
47.
Ka’ma, (physical
longing) |
|
48)
SA (Us’ma
or warm) |
Warm,
(aspirated) DENTAL |
Sun, miss |
|
48.
Moks’a (spiritual
longing) |
|
49)
HA (Us’ma
or warm) |
Warm
(aspirated) |
How, hello |
|
49.
(spiritual
knowledge, Eternal Space, all celestial bodies) |
|
50)
KS’A (Us’ma
or warm) |
Warm
(aspirated) Combination of Ka and S’a, Yajurvedic KKHA sound also acceptable |
|
|
50.
Apara’ (mundane
knowledge) |
,
,
,
The
inherent “A” (without halanta or has’anta) of a consonant is sometimes omitted
depending upon the mode of pronunciation, particularly in text of the songs,
where pronunciation is more important.
HAS’ANTA / HALANTA - INHERENT 'Á’ OF CONSONANTS
Reference:
“AN EASY APPROACH TO BENGALI” by Ac. TADGATA’NANDA AVADHU’TA
Published by: A’nanda Ma’rga Board of Education (ERAWS) 1st Edition, 1971
CHAPTER
II (page 7)
Some specialities in Bengali Pronunciation
1. (a) is pronounced like English ‘a’ in talk, tall, halt, etc.
Sometimes it is very short like English ‘o’
in hot, as (Jal) water, (Dhan) wealth, (Ran’) war etc. It is sometimes pronounced
like (o) and this is
also a short vowel as (Kovi) poet, (Onumati) permission, (Kakhon) when etc.
2. The ending (a) of verbs is often pronounced like
(o) as (Karo) do,
(Koritecho) (you) are doing, (korlo) (he or they did) etc. But when this final
(a) is combined with N
and M, (both with has’anta), its pronounciation is dropped, as (Karen) (He)
does, (Korchen) (He) is doing, (Korta’m) (I or We) used to do, (Korchila’m) (I)
was doing.
3. Final (a) inherent in every consonant is
usually omitted from pronunciation (like the last vowel in English), as (Ghar)
house, (Kalam) pen, (Ma’nus’) man, (Pa’thor) stone etc. But if the final (a) comes with a conjunct consonant it
should be fully pronounced as (Viveka’nanda), (Buddha), (Uma’ka’nta) etc.
4. (a) after (um’) and (ah) is fully pronounced as (Sangha)
organisation, (Mam’sa) flesh, (Duhka) sorrow etc.
5. If last consonant is
preceeded by (ao) and (ae), then last (a) is fully pronounced as (Maona)
Silent, (Taela) oil.
6. In compound words (a) in the end of the first syllable
is fully pronounced: as (Gan’a-tantra), (Giita govinda), (Ran’a- d’annka’),
(Banava’s), (Rama-krs’n’a)
7. In the adjective
ending with kta + it suffix, (a)
is fully pronounced: as (Nishcita), (Giita), (Anudita), (Rata), (Mata). But if
these words are used as nouns, then pronunciation of (a) will be dropped: as (Giit) song,
(Nishcit) certainty, (Mat) opinion.
8. In adjectives ending
with (
9. In adjectives ending
with letter (r’ha) or
in nouns ending with letter (ha)
(a) is fully
pronounced: as (Gar’ha) deep, (Gur’ha) inner most, (Deha) body, (Viva’ha)
marriage.
10. If (ya) is preceeded by (i) or (a), (a) will be fully pronounced as. (Priya) Dear, (Shreya),
(Peya) drnkable. (Dey) is an exception where it means gives,. But (a) will be pronounced when it means
givable. But in other cases (a)
will not be pronounced : as (Vinay), (Vis’ay), Sam’khya’vacak shabda number
indicating words.
11. In past tense when
(il, l) suffix is used,
(a) will be pronounced
as (o), as (Korlo),
(Dilo)
12. In future tense
where (iva) is used (a) will be pronounced like (o) (Korlo),(Devo)
13. In habitual past
tense (a) will be like
(ta) as in (Korto)
(Dito) etc.
14. In imperative mood
(a) will as (o), as in (Koro), (Dhoro)
15. If (a) is succeeded by (i), (u), (Va-phala) and (Ks’a), then (a)
will be pronounced as (o)
as: (Oti), (Vosu), (Boluk), (Okkhi), (Bosya). If (a) is used before any word in
the negative sense then inspite of presence of (i), (u), its pronounciation will not be like (o),
then it will be like (a)
as in law, all etc. as (Asthir) not (Osthir), (Anucita), (Anukta),
(Atulaniiya), (Anitya)
16. Words ending with
suffix ‘n’ will be fully pronounced as, (Drutaga pathe)
If ma or na come at the end of the root and are
followed by a consonant then the fifth letter of that varga is used, or else
m’. For example, sham + kara =shaunkara or sham’kara. Both are correct.
However, m’ is not used to spell saunga because the na in the verbal root sanj
is not a root-ending na. But for practical considerations, alternative M is
often used.
[ALTERNATIVELY
ACCEPTED, SPELLINGS WITH THE FIFTH LETTER OF THAT
SOME
POINTS ABOUT SINGING THE SONGS
(1) Dashes are indicative of extensions
(2) Nos like 1,2, etc are indicative of repetitions of the lines or stanzas
(3) Narrow or smaller fonts are indicative of fast (double pace) singing
(4) A’-----------A’ indicates A’la’ps, repetitions of previous tunes only
without wordings
(5) Question mark (?) indicates pending clarification/ confirmation about
the data
PREFIXES AND SUFFIXES:
(ANAT’ is used as suffix to root
verbs at the end to make verbal nouns and
as prefix to roots before it to make
alteration in the meaning)
PREFIXES (AFFIXES): A= lack of, pra =
SAM’SKRTA
PREFIXES (UPASARGA) ACTIVATING IDEAS:- 1) PRA, 2) PARA’, 3) APA, 4) SAM’, 5)
ANU, 6) AVA, 7) NIR, 8) DUR, 9) ABHI, 10) VI, 11) ADHI, 12) SU, 13) UT, 14)
ATI, 15) NI, 16) PRATI, 17) PARI, 18) API, 19) UPA. 20) A’
Abhi= towards, into, over, upon. Adhi: pervasive, anta= denoting
depth, within or inside,
SUFFIXES (PRATYAYA) ACTIVATED FACULTY: mayat’
=made of, krt =activity, sak, n’ak, anat’, d’a, al, anta=to form present
participial adjective, Ghaina
Conjunct/ joint letters are
usually placed at the end for orderly arrangements of the words following
patterns in standard dictionaries.
No additional phonemic or
phonetic markings/ labels are needed, in ROMAN SAM’SKRTA.
Hyphens (dashes) are not used in glossary or catalogues, generally with
the main word/s, but are most frequently used in the text of Prabha’t
Sam’giita, to represent length or extensions of the words, since essential
requirement is singing.
D’A not appearing in the beginning of the word may be found as R’A
according to the pronunciation.
Bracket ( ) mark indicates the
language of the word, e.g. (s) =Sam’skrta, (b) = Bengalii, Bengali Dialect (bd)
(u) = Urdu, (h)
= Hindi etc.
Ya in the beginning of the word is
pronounced as light Ja, close to pronunciation of Za, and is indicated in the
text of the song etc. as Ja
Both etymological (Yoga’rurha) and
colloquial (Bha’va’rurha) meanings are included to the possible extent
SYMBOLIC/ IDIOMATIC/ FIGURATIVE
MEANINGS: (Literal meanings may be rejected and sense meanings be accepted, in
general but for new learners word meanings are desirable)-There are many
symbolic words that Baba used to indicate for Parama Purus’a, viz.
1. AJA’NA’ PATHIK (unknown traveler),
2. PARII (angel), 3. BHOMORA’/ BHRAMAR (honey bee), 4. APSARA’ (angel)
5. SA’THII / SAKHA’ (companion, friend), 6.
BANDHU (brother) Etc.
--------------------------------------------------------------------------------------------------------------------------------------
A: Acoustic root
(seed or mantra) of creation, controller of seven musical notes (saragam or sur
saptaka) but mainly of s’adaja(sa’) equivalent to western note (do or C) and peacock
sound,
Grammatically
prefix indicating negation or absence,
ANKHIYA’N:
(h) eyes,
AUNKA:
(s,b,h) lap, mark or sign, line, spot, blemish, draw, sketch, number, figure,
counting, delineation, imprint, paint,
AUNKITA:
(s,b,h) marked,
AUNKUR:
(s,b,h) sprout, shoot, sapling, germination,
AUNKUSHA:
(s,b,h) a goading hook,
AUNGA:
(s,b,h) limb, body, appearance, shape, part, component, item, element,
AUNGAN/
A’UNGAN: courtyard, compound of house,
AUNGUL/
AUNGULI: finger,
AUNGABHU'MI:
an area in north Biha’r,
AUNGANE:
into the backyard or compound of house,
AUNGA’R:
charcoal,
AUNSHA:
(s,b,h) portion, part, share,
ANSHU:
(s,b,h) ray or beam of light,
ANSHU KIIT’A: (s,b,h) glow worm,
AUNSHUK:
(s,b,h) cloth, garment, fine white cloth, usually silken or muslin, leaf,
gentle blaze of light, a mantle, gentle glow,
ANSHUMA’LII:
(s,b,h) the one radiating ray of light, the sun,
AKAN’T’AK:
(s,b,h) thorn less,
AKATHANIIYA/
AKATHYA: (s,b,h) unspeakable,
AKATHITA:
(s,b,h) untold, unrevealed,
AKAPAT’A:
(s,b,h) plain, sincere, true, without deceit, candid, sincere,
AKARAN’IIYA:
that which should not be done,
AKARUN’A:
(s,b,h) merciless, unkind, cruel,
AKARTA’: (s,b,h) non-doer,
AKARMA:
(s,b,h) inaction, misdeed,
AKALMAS'A:
(s,b,h) without any dirt or sin,
AKALYA’N’:
(s,b,h) harm, injury, woe,
AKA’J:
wasteful action,
AKA’TARA:
(s,b,h) unperturbedly, undistressed, in suffering, in danger, calm, helpless, bountiful,
plentiful, abundant, generous, copious, profuse, ample,
AKA’RAN’A:
(s,b,h) causeless, without reason,
AKA’LA:
unusual time,
AKINCANA:
(s,b,h) pauper, poor, indigent, distressed, miserable, insignificant, lowly,
AKUTOBHAYA:
(s,b,h) safe, secure, fearless, undaunted,
AKU’LA:
(s,b,h) without shore, boundless,
AKRPAN’A:
(s,b,h) liberally, non-miserly,
AKAETAVA:
(s,b,h) sincere, genuine, candid, true, not false, straightforward,
AKLA’NTA:
(s,b,h) fresh, untired, assiduous,
AKHAN'D'A:
(s,b,h) undivided, continuous,
AKHILA:
(s,b,h) entire, whole, that which cannot be closed, contained or bound,
AGATI:
(s,b,h) immobile, helpless, static,
AGATIRA
GATI: resort of helpless, way out,
AGAM:
(s,b,h) inaccessible, incomprehensible, deep,
AGAMYA:
(s,b,h) inaccessible, incomprehensible, deep,
AGA’DH:
(s,b,h) inaccessible, incomprehensible, deep,
AGOCARA:
(s,b,h) unseen, imperceptible by senses,
AGUN’A:
(s,b,h) worthless, deprived of good qualities,
AGURU:
incense by insects on trees. agallochum,
AGNI: (s,b,h) luminous factor,
fire,
AGNIGIRI:
(s,b,h) volcano
AGRAGA’MII:
(s,b,h) leading in movement,
AGRASARA:
(s,b,h) progressing, developing,
AGRYE: (s,b,h) located in front
AGHOR: terrific, unconscious, fainted, calm,
AGHORE: deeply, profoundly,
AGHOR GHUM: deep or sound sleep,
AGHRA’N’A: (s,b,h) to smell,
ACAKITA:
(s,b,h) unalarmingly, slowly or gradually,
ACAN:
sudden, surprised, 5000 years old word.
ACARA:
ACALA: (s,b,h) stationary, still,
mountain, tree, horizon, fixed, permanent,
ACAINCALA: (s,b,h) tranquil,
restful, quiet, calm,
ACINA:
unknown, unrecognized, unperceived, unidentified,
ACINTYA: (s,b,h) unthinkable,
beyond comprehension,
ACENA’:
unknown, unrecognized, unperceived, unidentified,
ACETANA: (s,b,h) unconscious.
ACCHINNA:
(s,b,h) uninterrupted, continuous, constant, inseparable, undivided,
ACYUTA: (s,b,h) un-degraded, not
fallen, firm, fixed, imperishable,
AJAY:
(s,b,h) invincible, unsurpassed, unconquerable, non-defeatable,
AJARA:
(s,b,h) ever young, not subjected to old age,
AJASRA:
(s,b,h) not ceasing, constant, perpetual,
AJA’NA’:
(s,b,h) unknown, strange, unfamiliar,
AJA’NA’
PATHIK, (s,b,h) Unknown Traveler, symbol
of Param Purus’a or Ta’raka Brahma,
AJINA:
(s,b,h) devoid of knowledge, ignorant,
AJINA’NA:
(s,b,h) ignorance,
AJHORA:
overwhelmingly, overflowing,
AINJANA:
(s,b,h) black spot, color beautification to the eye margin, collyrium, mascara,
eye-shadow
AINJALI:
(s,b,h) cupped palms for offering or worshipping,
AT’AVI/
AT’AVII: (s,b,h) forest, large tree,
AD’HEL:
plentiful, immense, profuse, innumerable,
AN’U:
(s,b,h) atom, molecule, smallest particle retaining properties of original
element or compound
AN'UR:
belonging to atom, molecule, smallest particle,
ATA/ATO:
so much,
ATANU:
(s,b,h) not slender or delicate, gigantic, bodiless, incorporeal, intense,
formless,
ATANDRA:
(s,b,h) alert, attentive, nimble, vigilant, watchful, careful, sleepless,
lively, brisk, active, prompt, sprightly, bustling, hustling,
ATAL:
(s,b,h) unfathomable, depth, low,
ATASHATA:
(s,b,h) so much, so varied, so many, so many varieties, distinctions,
differentiations,
ATI:
(s,b,h) prefix indicating over, beyond,
excess, abundance,
ATITHI:
(s,b,h) guest, traveler,
ATIPA’TAKA:
very heinous sin,
ATIMA’NAS
KOS’A: (s,b,h)
a subtle layer of mind,
ATIRIKTA: (s,b,h) surplus,
additional,
ATISHAYA:
(s,b,h) excess, abundance, excellence, pre-eminence, superiority,
ATIITA:
(s,b,h) past
ATIISH: (spl. word created by Baba:
formal -formidable ruler or Mahakaola, colloquial- fit to be welcomed by all,
wise sage)
ATUL:
(s,b,h) beyond compare, incomparable, matchless, peerless, unequalled,
unparalleled,
ATULNIIYA:
(s,b,h) beyond compare, incomparable, matchless, peerless, unequalled,
unparalleled,
ATYA’CA’R:
(s,b,h) oppression, outrage, tyranny, victimization,
ATHACA:
(s,b,h) yet, still, nevertheless, notwithstanding, nonetheless, even then, in
spite of, despite,
ATHAVA’:
(s,b,h) or,
ADAMYA/ ADAM: (s,b,h) indomitable, unyielding, pertinacious,
unconquerable, turbulent,
ADURA:
(s,b,h) not far, close,
ADRSHYA:
(s,b,h)unseen, invisible,
ADRS’T’A: (s,b,h)unknown future or
fate, destiny,
ADYOTA: (s,b,h)dull,
glow-less.
ADRI: (s,b,h) mountain, stone, thunder bolt, tree,
mass of clouds,
ADRIISHA:
(s,b,h)
ADRU:
flow or current of stream,
ADVAYA:
(s,b,h)absolute, matchless, having no second, singular, unique, unified,
amalgamated, fused,
ADVITIIYA:
(s,b,h)matchless, having no second, singular, unique,
ADVAETA:
(s,b,h)non-duality, singularity
ADHAMA: (s,b,h)low, degraded,
ADHAMA’DHAMA: (s,b,h)lowest of the
low,
ADHARA:
(s,b,h)lower lip, lips, lower, under, nether,
ADHI: (s,b,h)prefix indicating
pervasiveness,
ADHIK:
(s,b,h)excess, more, further,
ADHIKYA:
due to excess,
ADHIKARAN’A:
container, medium, vehicle, proximity, vessel,
ADHIKA’R:
(s,b,h)right, ownership, title, control, authority, claim, knowledge, ability,
jurisdiction,
ADHIGATA:
(s,b,h)attained, obtained, acquired, under or within control,
ADHIP/
ADHIPATI: (s,b,h)Lord, Ruler, King, Sovereign, Head,
ADHIPU:
(s,b,h)The Supreme Being,
ADHIS’T’HITA:
(s,b,h)established,
ADHIIN:
(s,b,h)under control authority or obligation,
ADHIIR:
(s,b,h)restless, impatient, fidgety, eager, worried, concerned, uneasy,
excited, agitated,
ADHIISHVAR:
(s,b,h)sovereign ruler, king,
ADHYAYAN:
(s,b,h)study,
ADHYAKS’A:
(s,b,h)president, supervisor,
ADHYA’PAKA:
(s,b,h)teacher,
ADHRUVA: (s,b,h)indefinite,
uncertain,
ADHVAYU’:
(s,b,h) priest versed in yajurveda,
ANAGINATA:
(h,u) countless,
ANAGRASARA:
(s,b,h)non-progressing, non-developing,
ANAJA’N:
(h,u) unknown,
ANAR’:
motionless, immobile, still, fixed, firm, stolid, irrevocable,
ANAMOL:
most valuable,
ANANTA: (s,b,h)endless,
infinite, infinitude,
ANANYA:
(s,b,h)no other than, own, solely, unique, absolutely,
ANAPANEYA: (s,b,h)irremovable,
indelible, ineffaceable, irremediable, irredeemable, inseparable,
ANAL:
(s,b,h)fire,
ANAVASTHA’: instability, dissolute,
lack of finality, state of non-existence,
ANAVAKS’AY: (s,b,h)never decaying,
ANA’GATA: (s,b,h)one who
has not come
ANA’CA’R: (s,b,h)immorality,
ANA’THA:
(s,b,h)helpless, unprotected, orphan,
ANA’DAR:
(s,b,h)neglect, lack of care, disrespect
ANA’DI:
(s,b,h)without beginning, eternity,
ANA’DI
KA’LA: (s,b,h)time immemorial,
ANA’VIL:
(s,b,h)clear, clean, pure, unadulterated,
ANA’VILATA’:
purity,
ANA’SAKTA:
(s,b,h)unattached,
ANA’HATA:
(s,b,h)unbeaten, internal sound heard in meditation, solar plexus,
ANA’HU’TA:
(s,b,h)uninvited, uncalled for, unwanted,
ANITI:
(s,b,h)endless,
ANITYA:
(s,b,h)transitory, uncertain, temporary, ephemeral, transient.
ANIDRA:
(s,b,h)without sleep, alert, awake, ceaseless,
ANINDYA:
(s,b,h)irreproachable, faultless, flawless, perfect, unblemished, exquisite,
ANIMIS’A/
ANIMES’A: (s,b,h)steadfast, motionless, without winking, unblinking,
ANIL:
(s,b,h)air, wind, breeze, moving or blowing or flowing,
ANIVA’RA/ ANIVA’RYA: (s,b,h)essential, unpreventable, irresistible, incessant, always,
non-stop, compulsory,
ANIRVA’N’A:
(s,b,h) inextinguishable, ever-blazing, ever-effulgent,
ANIRUDDHA: (s,b,h)unobstructed, free, uncontrolled, self-willed,
ANIISHA:
(s,b,h)paramount, supreme, having no controller,
ANUKU’LA: (s,b,h)congenial,
favorable, agreeable,
ANUKTA:
(s,b,h)unspoken, untold, unpronounced, unexpressed,
AN’UGUCCHA: spark?
ANUCCHU’NYA’: (s,b,h)latent
ANUCCHU’NYA’
PRAKRTI: (s,b,h)latent
or causal stage of three expressed principle
ANUTA’PA: (s,b,h)repentance,
ANUDHYA’N:
(s,b,h) continuous thinking or reflection, or recollection
ANUNYA’S:
(s,b,h) withdrawal of mind in stages, concentration,
ANUP:
(s,b,h) incomparable, without example, unequalled,
ANUPAPATTI
(s): inconsistency, irrelevance, absence of solution, indecision, want, need,
hesitation,
failure, inapplicability, inconclusiveness or
absence of reasonable ground.
ANUPAMA:
(s,b,h)incomparable, without example, unequalled, unparallel,
ANUPU’RAKA: (s,b,h)following behind,
ANUPRA’SA:
(s,b,h)alliteration,
ANUBHAVA:
(s,b,h) experience, feeling, realization, knowledge,
ANUBHA’VA:
(s,b,h)influence, governing power, feeling of happiness, physical expression of
emotion (such as tears, sighs, frowning, etc.)
ANUBHU’TI:
(s,b,h)realization, feelings, perception, intuition,
ANUMA’NA: (s,b,h) inference,
conclusion, estimation,
ANUYOGA: (s,b,h) blaming,
censure, reproof, reproach, admonition, complaint, accusation, request,
ANURAKTI
(s):
affection, love, devotion,
ANURA’GA
(s,b): (anu+ ra’ga) attachment, affection, love, liking, devotion, loyalty,
redness,
ANURUPA: (s,b,h) miniature form, similar, resembling, symbol,
replica,
ANURODHA: (s,b,h)request,
prayer,
ANULEKHA’:
(s,b,h) transcription, transliteration,
ANULEPAN:
(s,b,h) coating, pasting, application, wrapping, covering,
ANUSHAYA:
(s,b,h) repentance, remorse, regret, sorrow, enmity, anger, close connection,
close attachment, consequence, result,
ANUSANDHA’N:
(s,b,h) research,
ANUKS’AN’A:
(s,b,h) at every moment, always, continually, ever,
ANEKA
(s,b): many, numerous, much, more than one, great, most, excess,
ANTA:
(s,b,h) end
ANTA
VIHIINA: (s,b,h) endless, without end,
ANTARE:
at heart, within, in the depth of, amidst, amongst, between, at a distance,
removed or screened from, behind the curtain,
ANTARATAM:
(s,b,h) inner most
ANTARA’LA: (s,b,h) interval, space, gap, lapse, hiding,
concealment, distance, leisure, spare time, hidden,
ANTARIKS’A:
(s,b,h) space,
ANTARYA’MII:
(s,b,h) the knower of mind,
ANTAHSTHALA:
(s,b,h) depth of the heart, interior, bottom, inner
region, core,
ANTAHKARAN’A: (s,b,h) introversial
psychic force
ANTYE: (s,b,h) located behind
or rear
ANDHA: (s,b,h) dark, blind,
ANDHAKA’RA: (s,b,h) darkness,
ANDHAKU’PA (s,b): (andha=blind, dark; ku’pa= well) deep
blind well,
ANNA: (s,b,h) food,
ANNAMAYA: (s,b,h) made out of
physical factors,
ANYATHA’:
(s,b,h) otherwise,
ANYA’YA:
(s,b,h) injustice,
ANVAYA:
(s,b,h) logical following or connection, descending,
ANHA’R:
(h,u) darkness
AP: (s,b,h) liquid factor, a
prefix denoting negation,
APAGATA: (s,b,h) gone,
departed, passed away, fled away, dispelled, removed, dead, subsided,
APAGAM: (s,b,h) departure,
separation,
APANAYAN:
(s,b,h) removal, elimination, deletion,
APANA’PAN:
(s,b,h) own ness,
APANEYA:
removable, dispensable, superfluous, unnecessary,
APANIITA:
(s,b,h) removed, eliminated, deleted, dispelled, allayed,
APAMA’NA:
(s,b,h) disrespect, humiliation,
APAR:
(s,b,h) another, matchless, not one’s own,
APARA’: (s,b,h) mundane
knowledge, the innermost, nearest,
APARA’
VIDYA’: (s,b,h)
mundane knowledge, skill,
APARA’DHA:
(s,b,h) mistake, error, fault, crime,
misdeed, badness, depravity, sin, vice, outrage,
APARA’MRIS’T’A:
(s,b,h) untouched, not afflicted, unconnected, (opp. Para’mris’t’a= para’+
mish)
APARA’HNA:
(s,b,h) afternoon,
APARIGRAHA: (s,b,h) Non-acceptance
of such amenities and comforts of life as are superfluous for the preservation
of the physical existence,
APARIN’A’MII:
(s,b,h) incomparable,
APARISHODHYA:
(s,b,h) that which cannot be returned or solved
APARU’PA:
(s,b,h) unprecedented, incomparably beautiful, wonderful, amazing, strange,
queer, odd, ugly,
APARYA’PTA: (s,b,h) insufficient, inadequate,
APALAKA:
(s,b,h) unblinking
APAVARGA: (s,b,h) requital of
action, period after completion of action,
APAVA’DA:
(s,b,h) bad name, ill-repute, defamation, slander, calumny, blame,
APASARAN’A:
(s,b,h) leaving or moving for a different place, removal, movement, withdrawal,
retreat, exit,
APASA'RA: (s,b,h) taking
away, transfer, removal, withdrawal, dismissal, shift, dispel, repel,
APA’UNGA:
(s,b,h) outer corner or angle of the eye, side-glance, wink,
APA’NA: (s,b,h) one of internal
va’yus residing from pa’yu to naval point,
APA’PA:
(s,b,h) pure, without sin,
APA’R:
(s,b,h) endless
API: (s) also,
APU’RN’A:
(s,b) incomplete,
APU’RTTI: (s,b) needs, requirements, wants,
APU’RVA:
(s,b,h) unprecedented,
APEKS’AMA’N:
(s,b,h) full of expectation,
APEKS’A’:
(s,b,h) expectation,
APEKS’ITA: expected, potential, due
for expression,
APAORUS’EY: (s,b,h) that which cannot be obtained by effort,
APRATIHATA:
(s,b,h) unchecked, unprevented, unobstructed, unhurt
APSARA’:
(s,b,h) voluptuously beautiful nymph of paradise gifted with skill of music and
dance. a symbol of god,
APHURA’N/
APHURANTA: unending, endless, inexhaustible,
ABELA’YA:
untimely, adverse time,
ABODHA:
innocent,
ABJA:
(s,b,h) lotus
ABJE;
(s,b,h) in the lotus,
ABHAYA: (s,b,h) fearlessness,
ABHAVAT:
(s,b,h) created,
made, happened,
ABHA’GA’:
(s,b,h) unfortunate, ill-fated, unlucky, wretched,
ABHA’VA: (s,b,h) absence, want,
shortage, scarcity, vacuity,
ABHA’VANIIYA:
(s,b,h) unthinkable,
ABHI: (s,b,h) prefix
indicating pervasiveness, completion, direction,
ABHIJINA’:
(s,b,h) final knowledge, profound knowledge,
ABHIJINA’NA:
(s,b,h) identification,
ABHIDHARMA
(s): pervasive conduct or characteristics,
ABHIDHA’:
(s,b,h) appellation, name, title, meaning, primary meaning or property of a
word,
ABHIDHA’N:
(s,b,h) dictionary, lexicon,
ABHIDHA’MA:
(s,b,h) shelter of all,
ABHIDHEYA:
(s,b,h) one or who or that which is to be named as, appellative, naming,
denotative, title,
ABHIDHYA’NA: (s,b,h) meditation, ideation or concentrated thinking
on the Supreme Entity
ABHINAVA:
(s,b,h) (abhi+nava) new, ever new,
ABHINIVESHA: (s,b,h) obsession,
addiction, indulgence,
ABHIPRAKA’SH:
(s,b,h) expression, light, signify, giving importance,
ABHIPRA’YA: (s,b,h) intention, objective,
ABHIBHA’VANA’: (s,b,h) intense or
concentrated thought,
ABHIBHA’S: address?
ABHIBHU’TA: (s,b,h) charmed,
ABHIMA’NA
(b): hurt
mentally (not in derogatory sense), hurt agony, extremely sensitive ego, offending,
humiliation, hurt feelings, wounded ego or feelings, suppressed sorrow,
ABHIMA’NA
(s): honor
in pervasive sense, inflated ego, pride, ego, elation, insolence, arrogance,
over-confidence, boastfulness, show off, hurt ego, pride,
ABHIMUKHA:
(s,b,h) facing towards,
ABHIYA’TRI: (s,b,h) voyager, passenger,
ABHIYA’NA: (s,b,h) expedition,
exploration, setting out,
ABHIRA’MA:
(s,b,h) pleasing, pleasant, beautiful, handsome, entertaining, gratifying,
ABHILA’S’A:
(s,b,h) desire,
ABHIVYAKTI:
(s,b,h) expression, manifestation,
ABHISHA’PA:
(s,b,h) curse,
ABHIS’EKA: (s,b,h) conferring of
recognition, crowning, honor, initiation, baptism, anointing, coronation,
sprinkling, adoration,
ABHIS’IKTA:
(s,b,h) bathed, baptized, installed, inducted, enthroned, crowned,
ABHISA’R:
(s,b,h) tryst, lover’s meet, rendezvous,
ABHII:
(s,b,h) fearless, dauntless, brave,
ABHHIK:
(s,b,h) fearless, dauntless, brave, lustful, greedy,
ABHIIPSA’:
(s,b,h) earnest desire, longing, aspiration, hope, expectations, intention,
ABHIIS’T’A:
(s,b,h) aim, target, goal, intended, cherished, desired, objects,
ABHEDA:
(s,b,h) absence of distinction or difference,
ABHYA’SA: (s,b,h) practice,
endeavor,
ABHYUDAY:
(s,b,h) rise,
ABHRA: (s,b,h) sky, cloud,
AMAN/EMAN:
like that,
AMAR:
(s,b,h) immortal, eternal, non-decaying,
heavenly, celestial,
AMARA’:
immortal, eternal, non-decaying, heavenly, celestial,
AMARA’JAR: (s,b,h) (amar+ajar= immortal and non-decaying)
AMAL:
(s,b,h) clean, white,
AMA’TYA:
(s,b,h) minister,
AMITA:
(s,b,h) immeasurable, unlimited, boundless, immense,
AMIYA:
(s,b,h) nectar,
AMEYA:
(s,b,h) immeasurable, immense, infinite,
AMOGHA:
(s,b,h) never failing, infallible, unfailing,
AMBAR:
(s,b,h) sky, firmament, cloth,
AMBU:
(s,b,h) water,
AMBUDARCI:
(s,b,h) rainbow,
AMRTA: (s,b,h) nectar, sweet expression,
elixir,
AMLA:
(s,b,h) sour, acidic, like curd, pickle, (1 of 6 tastes)
AMLA’NA:
(s,b,h) clean, spotless, bright
AYATANE:
(s,b,h) without any effort, automatically, by itself,
AYATI:
(s,b,h) continued
AYATHA’:
(b) baseless, groundless, false, inappropriate, unnecessary, unwarranted,
fruitless, wasteful, extravagant, exaggerated, without cause, for nothing,
unjustly,
AYAN:
(s,b,h) path, course, route, passage, scripture, dwelling, earth, holder,
AYASKA’NTA MAN’I: (s,b,h) loadstone, magnet,
AYUTA,:
(s,b,h) a very large quantity or number, millions or billions, innumerable, mysterious, uncanny,
ARAN’I:
(s,b,h) flint, flint wood,
ARAN’YA:
(s,b,h) forest,
ARAN’YA’NIITE:
(s,b,h) in the dense forest,
ARAVINDA:
(s,b,h) lotus,
ARASH:
(u) seat, bed, altar,
ARA’TI:
(s,b,h) enemy, foe, adversary,
ARI:
(s,b,h) enemy,
ARIS’T’A:
(s,b,h) tonic, elixir,
ARINDAMA: (s,b,h) destroyer
of enemies,
ARUN’A:
(s,b,h) morning sun or its glow, crimson color,
ARU’PA:
(s,b,h) formless, without example, unequal,
ARODHYA: (s,b,h) irresistible,
ARGHYA,:
(s,b,h) oblation, libation, offerings for a divinity on the altar,
ARCHANA’: (s,b,h) worship,
ARN’AVA:
(s,b,h) ocean, sea
ARTHA: (s,b,h) psychic longing,
meaning, finance, money, wealth,
ARPAN’A: (s,b,h) offering
ALAKA: (s,b,h) forelock,
ringlet, fringe, curling tress of hair, cirrus,
ALAKA’:
(s,b,h) heaven, kingdom of wealth,
ALAKA’
LOKA: heavenly arena, heavenly abode,
ALAKTA:
(s,b,h) lac, liquid dye of lac, varnish,
tint of lac,
ALAKH:
(s,b,h) unseen, invisible, unperceivable,
ALAUNGHYA:
(s,b,h) hard to cross,
ALAS:
(s,b,h) idle, lazy, slothful, indolent, effortless,
ALI:
(s,b,h) honeybee,
ALIIK: untrue, false, baseless, vain,
empty, void,
ALOKA:
beyond the world, that which cannot be seen, invisible,
ALPA: small, meager, little,
AVAKA’SHA:
gap, scope, respite, leisure, opportunity, room, interval, cessation, chance,
AVAGA’HAN:
act of bathing by immersing one’s body in a river, tank, etc. bath
AVAGUNT’HAN:
a cover for head and face used by a woman, veil, hood, scarf,
AVAGUNT’HITA covered, veiled,
AVAJINA’:
indifference, neglect, slight, contempt, scorn, disrespect, obscure,
AVAJINA’TA:
slighted, contempt, scorn, disrespected, disregarded, neglected, obscure,
AVATA’RA: derivation, incarnation,
AVATA’RAVA’DA:
the
theory of incarnation of the Supreme Entity,
AVADA’N:
gift, presentation, donation, benefaction, largess, grant, gratuity, boon,
alms, bestowal, bestowment, benevolence, bounty, charity, favor, bequest,
legacy, kindness,
AVADHA’NA:
attention, careful application of mind, deliberation, consideration, care,
study,
AVADHU’TA: (s,b,h) a male ascetic, monk,
AVADHU’TIKA’: (s,b,h) a female ascetic, nun,
AVANATA:
(s,b,h) bent down, bowed down,
AVANII:
(s,b,h) earth, world, land,
AVABHA’SA: (s,b,h) reflection,
AVAROHA:
(s,b,h) descend
AVARN’A:
(s,b,h) colorless,
AVALIILA’:
dalliance, absence of strain, hesitation or effort, ease, carefree manner,
promptness, readiness,
AVALIILA’
KRAME: playfully, without toil,
AVALUPTA:
(s,b,h) vanished, extinct,
AVAVA’HIKA’:
(s,b,h) basin,
AVASAR: chance, opportunity, pause,
AVASA’DA:
(s,b,h) sinking, fainting, sitting down,
ruin, loss, end, termination, lack of energy, exhaustion, fatigue, defeat,
gloom, decline, finishing, dullness,
AVASA’NA:
(s,b,h) end, stopping, conclusion, death,
decease, limit, boundary, pause, resting place,
AVAHELA’:
(s,b,h) neglect, overlook, ignore,
inattentively
AVAKS’AYA: (s,b,h) waning, decaying, fading,
AVA’K:
(s,b,h) speechless, mute, silent,
AVA’UNGA:
(s,b,h) beyond words,
AVA’UNGA
MANO GOCAR/ AVA’UNGA MA’NAS GOCAR: (s,b,h) beyond the reach of words mind and sense perception,
AVA’RITA:
(s,b,h) unresisted, unprevented, unchecked, unbarred,
open, free, unrestrained
AVIDYA’: (s,b,h) mundane art or
skill, ignorance, extroversal centrifugal or repulsive force away from Nucleus
Consciousness,
AVIDYA’
MA’YA’: (s,b,h) illusion of
ignorance,
AVINA’SHII: (s,b,h) non-destructible.
AVICALA:
(s,b,h) unmoved, unshaken, unperturbed, calm,
unwavering, firm,
AVICA’R: (s,b,h)
injustice, prejudice, immorality,
AVIRATA: (s,b,h)
continuous,
AVIRA’M: (s,b,h) without pause,
AVISHVA’SA: lack of confidence,
AVYAKTA:
(s,b,h) inexpressible, undisclosed, unknown,
AVYAYA:
(s,b,h) inexhaustible, imperishable, indeclinable,
enduring,
AVYARTHA:
(s,b,h) utilitarian, valuable,
ASHANI:
(s,b,h) lightning, thunder,
ASHES’A: (s,b,h) endless,
ASHOKA:
(s,b,h) a floral tree, sarica indica,
ASHRU:
(s,b,h) tears
ASHVA:
(s,b,h) horse,
ASHVINII: (s,b,h) nerve controlling anus,
AS’T’A
PA’SHA: (s,b,h) eight fetters or bondages
AS’T’A’PADA: (s,b,h) purified gold,
ASAT:
(s,b,h) bad,
ASAMAYA:
(s,b,h) untimely
ASAM’PRAMOS’A:
(s,b,h) loss, destruction, abstraction,
ASAHYA:
(s,b,h) unbearable, intolerable,
ASA’R:
(s,b,h) non-essence, superfluous,
ASI:
sword,
ASIT:
(s,b,h) dark colored, not white,
ASIR
(s): beam, ray, arrow, bolt,
ASIIMA:
(s,b,h) unlimited,
ASUYA’:
(s,b,h) slander,
malice, envy, grudge, jealousy, cynicism,
ASURA:
(s,b,h) demon,
devil, fiend, wrongdoer, beast, reprobate,
ASTA:
(s,b,h) setting
of sun, moon or star,
ASTA’CALA:
(s,b,h) the
hill behind which the sun or moon sets,
ASTA
SA’GAR: (s,b,h) the sea, behind which the sun or moon sets,
ASATAR:
inner lining of a garment, or surface for coating,
ASTI: ?
ASTI, BHA’TI, A’NANDA: (s,b,h) (aprox. Existence, glow and bliss), proper
explanation given by BABA is to be written
ASTITVA:
(s,b,h) existence,
ASTEYA: (s,b,h) non-stealing in physical
or psychic realm, to give up the desire of acquiring what is not rightly one’s
own, the third principle of yama.
ASMITA’:
(s,b,h) ego,
egotism, vanity, conceit,
ASTHIRA: (s,b,h) restless,
AH:
(s,b,h) acoustic root of
amrta or nectar
AHARAHA:
everyday, always, day in and day out, incessantly,
AHAM’: (s,b,h) ego, sense of doer-ship,
doer “I” or owner “I”
AHAM’KA’RA: pride, ego,
AHAM’TATTVA: metamorphosed portion of
Cosmic “I” into cosmic doer “I” under mutative principle
AHAMIKA’:
ego,
AHARAHA:
day after day,
AHARNISHI:
day and night,
AHIM’SA’: not causing suffering to
any harmless creature through thought, word or deed,
AHAETUKI:
causeless, without reason,
AHORA’TRI:
day and night,
AKS’ARA:
non decaying,
AKS’AM:
incapable, powerless,
AKS’AMATA’:
incapability
AKS’AY:
undecaying, inexhaustible,
A’:
Acoustic root of second musical note, rs’abha (re) equivalent to western
musical note (Re or D) and sound of ox or bull,
Grammatically
prefix indicating starting point, from, since,
A’KANDA:
(s,b,h)sun-plant,
A’KARA:
(s,b,h) source, origin, store, repertory, mine, quarry,
A’KARAS’AN’A:
(s,b,h) attraction,
A’KA’SHA: (s,b,h) ethereal, sky,
inference carrying sound wave,
A’KA’UNKS’A’: (s,b,h) intense will or
desire,
A’KUTI:
(s,b,h) ardor, fervility, fervent prayer, eager solicitation, entreaty,
A’KULATA’:
(s,b,h) distress, worry, ardency, fervidity, eagerness, perplexity,
A’KUL /A’KULI: (s,b,h) eager,
A’KROSHA:
(s,b,h) anger
A’KHA’:
oven, hearth, fireplace,
A’GAMA: (s,b,h) most authentic
or absolute words, words of the Great Preceptor, the real knowledge,
2.
coming, arrival, appearance, acquisition, birth, originating, source, flow,
course,
A’GA’CHA’:
weeds,
A’GA’R: (s,b,h) house, dwelling,
A’GE:
(b) earlier,
A’GE:
(u,h) further, ahead,
A’GHA’TA:
(s,b,h) hit, strike, blow, beat, stroke, shock, injury,
A’GHRA’N’A: (s,b,h) to smell,
A’GHOS’A:
(s,b,h) grave sound, loud noise, proclamation, declaration, serious or stern
voice,
A'UNGINA':
(s,b,h) arena, yard, courtyard,
A’CA’RA: (s,b,h) conduct,
behavior,
A’CA’RYA
/ A’CA’RYA’: (s,b,h) those who teach by
their exemplary conduct.
A’CCHA’DAN:
(s,b,h) covering,
A'CHO/A’CHE:
present, exist,
A’J:
today
A’JI:
today
A’JIIVA:
(s,b,h) occupation (physical and psychic), livelihood, pabulum,
A’R’AS’T’A:
(s,b,h) inert,
A’R’AS’T’ATA’:
(s,b,h) inertness
A’R’A’:
form, shape, mould, size, type, riverbank, crossbeam,
A’R’A’L:
screen, cover, hiding, out of view,
A’R’I:
screen, cover, hiding, out of view, envy, malice, rivalry, grudge,
A’N’AVA:
(s,b,h) atomic, subtlest,
A’TAUNKA:
(s,b,h) terror,
A’TAPA:
(s,b,h) sunshine, sunlight,
A’TURA:
(s,b,h) sick, afflicted, distressed, indigent, pauper, ardent, anxious, intent,
impatient, yearning,
A’TMAN
/A’TMA’: (s,b,h)
soul, unit Consciousness, pure cognition, omni telepathic faculty,
A’TMAJINA’NA:
(s,b,h) self-knowledge,
A’TMA PRATYAY: (s,b,h) self-recognition,
A’TMA SHLA’GHA’: (atma= self + sla’gha’= praise)
self-praise, self-commendation,
A’DAR:
(s,b,h) respect, heavy,
A’DARSHA: (s,b,h) exemplary,
ideology, illustrative, mirror,
A’DRITA:
(s,b,h) revered, respected,
A’DI: (s,b,h) start,
beginning, initial,
A’DIKA’RAN’A: (s,b,h) initial cause, causal matrix,
A’DITYA:
(s,b,h) sun,
A’DESHA: (s,b,h) order,
commandment, instruction, approval, direction,
A’DHAMARA’:
half dead,
A’DHA’N:
(s,b,h) placing, depositing, installation, infusion, instillation, charge,
putting on, receiving or taking,
A’DHA’RA: (s,b,h) base, body, container, receptacle, vessel,
case,
A’DHIBHAOTIKA: (s,b,h) metaphysical,
A’DHIDAEVIKA: (s,b,h) meta-psychic,
A’DHEK: halt,
A’DHEYA: (s,b,h) worthy
of placement, adoration,
A’NTARIKATA’: (s,b,h) candor, sincerity, heartiness, cordiality,
A’NDHA’R:
(s,b,h) darkness, shade,
A’NANA:
(s,b,h) face
A’NANDA: (s,b,h) bliss, Divine
bliss,
A’NAMANA’:
(s,b,h) unmindful, absent-minded, abstracted, unconcerned, listless,
A’NA’:
(h,u) coming,
A’NA’
GONA’: coming and going,
A’NKHI:
eye
A’NKHI
TULE DHARO: Please look at me, Please lift your eyes,
A’NKHI
PA’TE: eye lids
A’NTARIK:
(s,b,h) internal,
A’NDOLITA:
(s,b,h) stirred, oscillated, vibrated,
A’NDHA’R,
dark
A’PAN:
own,
A’PANI:
self,
A’PA’T KAT’HOR: initially appearing as hard,
A’PEKS’IKA: (s,b,h) relative,
A’PTA: (s,b,h) revelation,
absolute truth, preoccupied, extremely self-seeking,
A’PTA-
VA’KYA: (s,b,h)
revelation,
A’PLUTA: (s,b,h) flooded, bathed,
inundated, drenched, overwhelmed,
A’BAH:
carrying, conducting, producing,
A’BA’R,
again, once more, this time
A’BOL TA’BOL: incoherent talk, nonsense, delirium,
nonsense rhymes, meaningless words,
A’BRAHMASTAMBA: (s,b,h) from blade of grass to the cosmos,
A’BHARAN’A:
(s,b,h) ornament, adornment,
A’BHA’:
(s,b,h) glow, shine, luster, glaze, beam, flash, tinge, effulgence
A’BHA’SA:
(s,b,h) twilight concept or feeling, that undergoes reflection or refraction
due to circumstances, faint or indistinct presence or feeling, shadow, hint,
glow, gesture, signal, tint, smack, murky, obscure, dark, filmy, dim, gloomy,
clouded, dreary, shaded, dusky, opp. NIRA’BHA’S: (1) that undergoes no
reflection or refraction and (2) that Great, Who cannot be visualized within
worldly finite entities,
A’BHOGA:
(s,b,h) pabulum or objectivity of mind, an object of enjoyment, occupation (psychic)
A’MRA’:
we
A’MA’R:
my, mine,
A’MI,
I
A’MEJ:
subtle presence or slight trace, a touch, after image or taste, after effect,
A’YA:
income,
A’YATO:
wide, extensive, expanded,
A’YUDHA: (s,b,h) weapon,
A’YOJANA:
(s,b,h) arrangement, preparation, collections of things needed for the purpose,
readiness,
A’RATI
/ A’RATRIKA: (s,b,h) waving of
lamp as welcome greeting or gesture,
A’RAS’T’A:
(s,b,h) benumbed, inert,
A’RS’T’ATA’:
(b) dullness, inertial idleness or laziness, numbness,
A’RTI:
affliction,
A’RDRA
(s): moist, soft, damp, wet, fresh, tender, melted, watered,
A’RA’DHANA’:
(s,b,h) worship, forgetting oneself in abhidhya’na,
A’LGOCHE:
(b) not touching, detached, avoiding direct contact, aloof,
A’LAGA’/
A’LGA’: lax, unbound, untied, unfastened, open, unbolted, loose, bare,
uncontrolled, unfixed,
A’LAYA:
(s,b,h) home,
A’LAMBANA: (s,b,h) shelter,
support,
A’LASYA:
(s,b,h) lethargy,
A’LA’PA:
(s,b,h) conversation, talk, confession, discussion, chat, singing or playing or
sounding a tune,
A’LIMPANA:
(s,b,h) decorating or painting of the surface,
A’LUTHA’LU:
(b) (of hair) unkempt, disheveled, tousled, (of dress etc.) lacking in
trimness, blowsy, disorderly,
A’LOR’AN’A:
(s,b,h) churning, vibration, stir,
A’LO
/A’LOR (b) light, glitter, express, publish, open out,
A’LOKA:
(s,b,h) light, glitter, express, publish, open out,
A’LOKITA:
(s,b,h) illuminated, lighted, opened, brought into light,
A’LOR’ITA:
(s,b,h) stirred, churned, excited, agitated, pondered,
A’LOKAMAYA:
(s,b,h) embodiment of light,
A’LEKHYA: painting, portrait,
A’LEYA’R: mirage, delusion, illusion,
A’LTA’:
(b) a reddish or scarlet ink or dye solution used for coloring feet,
A’LPANA’:
the welcome decoration markings on the ground.
A’VARTAN:
revolution, whirling,
A’VARAN’:
cover,
A’VARI:
covering, veiled,
A’VA’SA:
shelter, home, residence,
A’VA’HAN:
invocation, welcome,
A’VIRBHA’VA:
(s,b,h) appearance, incarnation, transcendence,
A’VILATA’:
(s,b,h) defilement, turbidity, filthiness, foulness, impurity, ruining,
tarnishing, debasement, degradation,
A’VIS’T’ATA’: (s,b,h) charm, influence,
A’VEGA:
(s,b,h) impulse, momentum, influence,
A’VESHA:
(s,b,h) impulse, momentum, influence,
excitement, trance, possession, engrossment, rapt attention, confusion, obsession,
fascination, passion, intentness, devotedness, flurry, agitation,
A’SHAYA:
(s,b,h) unserved sam’ska’ras or unrequited actions, receptacle, container,
intention, purpose, aim, heart or character,
A’SHA’: (s,b,h) hope,
expectation
A’SHE:
hope, expectation
A’SHUTOS’A:
(s,b,h) (a’shu + tos’a) the one, who is pleased quickly,
A’SHVA’SAN:
(s,b,h) hope, consolation, confidence,
A'S'A'D'HA:
(s,b,h) early rainy season or month,
A’SAKTI:
(s,b,h) attraction to something limited,
A’SANA:
(s,b,h) seat, position, posture, throne,
A’SAMA’N:
(u,h) sky
A’SAMA’NI:
azure, sky color,
A’SAR: effect,
A’SAVA:
(s,b,h) essence, spirit,
A’SA’,
arrival, coming
A'SIBE:
will come,
A’STARAN’A:
(s,b,h) cover, blanket
A’SPADA:
(s,b,h) deserving, place, site, seat, room, abode, receptacle, subject,
position, station, authority, dignity, business, affair, prop, support,
A’SPHA’LAN: (s,b,h) brandishing, moving violently, bragging, boasting or vaunting,
A’SVA’DANA: (s,b,h) to taste,
A’HATA:
(s,b,h) hurt, struck, beaten, smitten, wounded, injured, thrashed, treaded,
blow, stroke,
A’HARI:
collection, compilation,
A’HAVA:
war, battle, fight, place for oblation, sacrifice,
A’HA’:
ah, oh, expression of joy, sorrow, sympathy etc.
A’HA’R:
(s,b,h) food,
A’HUTI:
(s,b,h) oblation
A’HU’TA:
invited, invoked,
A’HLA’DA:
(s,b,h) delight,
A’HVA’N:
(s,b,h) invocation, invitation, welcome,
call,
I:
Acoustic root of third musical note ga’ndha’ra (ga) equivalent to western
musical note (Me or E) and sound of goat,
IUNGITA: (s) sign, signal, gesture, beconing,
gesticulation, wink, hint, suggestive, purpose, shaking,
ICCHA’: (s,b,h) desire
ICCHA’BIIJA: (s,b,h) seed of desire
ITASTASTATAH: here and there, hither and thither,
thinly, irregularly, on all places or sides, all over, hesitation, stammering,
dilly-dally, procrastination,
ITI:
thus, so, end,
ITIHA'SA:
history,
ITYA’HU:
as said or called
INI:
this respectable person, he or she
INDU:
(s,b,h) moon, the crescent part of the moon,
INDRANII LA: blue sapphire,
emerald,
INDRIYA: (s,b,h) organ,
INSA’NIYAT:
(u,h) humanity,
IRA’:
goddess of speech, power of speech personified, earth, wine, water, food,
IVA:
like, as, as if, as it were, somewhat, perhaps,
ISHA’N,
northeastern direction
ISHA’RA’:
signal, gesture,
IS’T’A: (s,b,h) (is’+ kta) that which a
person nurtures in the inner most recesses of the mind in the hope of attaining
it, supreme goal, loving, favorite, dear, attractive, terminus, desideratum,
IS’T’A DEVATA’: (s,b,h) personal god or deity,
IS’T’A
MANTRA: (s,b,h) the incantation leading
to supreme goal,
IS’:
to wish,
IHA’:
this,
IHAKA’LA:
this life, mortal life,
II:
Acoustic root of the fourth musical note, madhyama (ma) equivalent to western
musical note
(Fa
or F) and sound of horse,
IITI:
calamity, distress,
IIUNGITA:
indicated, signal, gesture, sign, hint,
beckoning, gesticulation, wink, suggestive, allusive,
IID’YA:
an ancient Vedic word meaning, revered, worshipped, most desired,
IIPSA’:
desire to obtain, desire, longing,
IISPITA:
longed, desired,
IIRS’A’: envy,
IISHA’N,
northeastern direction, a name of Shiva,
IISHVARA: controller (of the
universe), God,
IISHVARA
PRAN’IDHA’NA: an auto suggestion of the idea that each and every unit is an
instrument in the hands of the Almighty and is a mere spark of the supreme
fire, also implies implicit faith in Him irrespective of whether one lives in
momentary happiness or sorrow, prosperity or adversity.
IIHA’:
wish, desire, effort, exertion, activity, endeavor, attempt,
-----------------------------------------------------------------------------------------------------------------------------------------
U:
Acoustic root of the fifth musical note, paincama, (pa) equivalent to western
musical note (Sol or G) and sound of cuckoo,
UGARA’N: disgorge, belch out, eruct, vomit, spewing,
compulsion of giving back, resumption,
UGRA:
violent, cruel, rough, harsh, haughty, angry, wrathful, sever, fierce, sharp,
strong, powerful, terrific, formidable, fearful, sharp, intense,
UNKI:
peeping, glimpse, a furtive glance,
UCALA:
high,
UCCA’T’ANA:
charmed, enamored, enchanted, hypnotized, influenced, affected, restless,
agitated,
UCCA’RAN’A:
pronunciation, mode of speaking, elocution, articulation, utterance,
UCCHALA:
vibrant, overflowing, overwhelming, pervading, thrown, disgorged, swollen,
bulged out, swelled, spilling, swarming, teeming, brimming, disordered,
wayward, uncontrolled, enliven. abundant, brimful, shining, moving upwards,
UCCHALATA’/
UCCHVALATA’: disorder,
UCCHA’S
/ UCCHVA’S: strong emotion or passion, such outburst, great delight, breath,
UCCHU’NYA’: activated or expressed
Prakrti,
UCCHU’NYA’
PRAKRTI:
UCCHEDA:
cut
UJA’L:
wipe out
UJJVAL:
white, bright,
UJJVALATAM:
whitest, brightest,
UJA’R’A:
exhausted, empty, desolate, depopulated, barren, devastate,
UJA’NA:
upstream flow or course
UT’HA’NA’MA’: rise and fall, up and down,
fluctuation, act of ascending and descending, elevation and depression, undulation,
promotion and demotion, boom and slump,
UT’HECHE:
rising,
UTALA’:
excited, anxious, worried, impatient, restless,
UTKANT’HA’:
eagerness, inquisitiveness, curiosity,
UTKARN’A: attentive ears, eager to listen,
UTKRAMAN’A:
crossing,
UTKRAMI:
crossing,
UTKRA’NTA:
raised, ascended,
UTCETANA’:
(s) urge,
UTTARA: reply, answer, north
direction, after, subsequent,
UTTARAN’A: (s,b,h) descend
UTTARIIYA:
(s,b,h) scarf, modesty scarf, stole,
UTTA’PA:
(s,b,h) burning, heat, great heat, excitement, intense
passion,
UTTA’LA:
(s,b,h) high, agitated, billowy, frantic,
tremendous, extreme, sever,
UTTIIRN’A:
(s,b,h) surpass, crossed, successful,
pass over, surmount,
UTTHA’NA:
(s,b,h) rise, progress,
UTPA’TA:
(s,b,h) disturbance, nuisance,
irritation, trouble,
UTPATTI: (s,b,h) origin, birth,
UTROL:
restless?
UTVRTTI: (s) passion,
UTSA:
(s,b,h) origin, source,
UTSANNA:
(s,b,h) perished, destroyed, ruined,
utterly depraved, gone to the bad, gone to the dogs, evicted,
UTSARGA:
(s,b,h) ritual offering, sacrifice,
dedication,
UTSARGITA:
(s,b,h) relinquished, dedicated,
sacrificed, offered,
UTSARJITA:
(s,b,h) relinquished, dedicated,
sacrificed, offered,
UTSAVA:
(s,b,h) function, festival,
UTSA’RAN’A: (s,b,h) emission, removal, throwing up, deliverance,
relinquish,
UTSA’RA:
(s,b,h) emit, emission, removal,
throwing up, deliverance,
UTSA’RITA:
(s,b,h) emitted, ejected, delivered,
emanated,
UTSUKA: (s,b,h) curious, eager,
UTHAL:
surging up, swelling up, overflowing, very high, billowy,
UTHA’L:
surging up, swelling up, overflowing, very high, billowy,
UDAKA:
(s,b,h) water,
UDAGRA:
(s,b,h) facing upwards, upturned, tall,
high, elevated, arrogant, severe, strong, excellent, haughty,
UDADHI:
(s,b,h) sea, ocean, pond, container of
water,
UDAYA:
(s,b,h) rise, rising, start,
UDA’TTA:
(s,b,h) high, deep, noble, (tone or
voice)
UDA’TTA
KAN’T’HA: (s,b,h) loud or high tone or
voice
UDA’NA: (s,b,h) one of internal va’yus having place in throat,
UDA’R:
(s,b,h) liberal, charitable, generous, open-handed,
UDA’RATA’:
(s,b,h) generosity, magnimanity, and
loftiness
UDA’S:
(s,b,h) dull, gloomy, indifferent,
unconcerned, callous, languid, spiritless, distracted,
UDA’SII:
indifferent, unconcerned, languid, spiritless, distracted, dull, gloomy,
UDGA’TA’:
(s,b,h) announcer, anchor, broadcaster,
presenter,
UDGA’R:
(s,b,h) ejection, spitting out,
vomiting, giving out, emitting, oozing, issuing out, narrating, belching,
UDGA’RITA:
(s,b,h) disgorged, expressed, ejected,
emitted, eruption,
UDGIITA:
(s,b,h) sung or preached in loud voice,
announced, expressed, proclaiming song,
UDGIIRAN’:
(s,b,h) ejection, disgorged, uttered,
eruption, eructing,
UDGRIIVA: (s,b,h) (ut+griiva) neck/head facing upwards,
UDDAM:
(s,b,h) indomitable, uncontrollable, intractable,
violent, impetuous, unrestrained, reckless, wayward,
UDDA’M:
(s,b,h) indomitable, uncontrollable,
intractable, violent, impetuous, unrestrained, reckless, wayward,
UDDA’MATA’:
(s,b,h) lack of retrain or control,
UDDAND’A:
(s,b,h) indomitable, uncontrollable, intractable,
violent, impetuous, unrestrained, reckless,
UDDIIPTA:
(s,b,h) ignited, kindled,
UDBODHAN:
(s,b,h) awakening knowledge,
enlightenment,
UDBUDDHA:
(s,b,h) enlightened,
UDBHA’SA:
(s,b,h) manifestation, exposition, glow,
shine, appearance, show, illuminate,
UDBHA’SITA:
(s,b,h) illuminated, exposed, manifested,
UDBHIT/UDBHID:
(s,b,h) sprouting, shooting forth,
germinating, plant, spring, fountain,
UDBHINNA:
(s,b,h) germinated, sprouted,
UDDVEGA:
(s,b,h) movement, restlessness, worry,
concern, anxiety, suspense, agitated,
UDDVELA:
(s,b,h) anxious, worried, restless,
harried, overwhelmed, agitated,
UDDVELITA:
(s,b,h) anxious, worried, restless,
harried, overwhelmed, agitated,
UNAKI:
(h) theirs,
UNNATA:
(s,b,h) upright, upward
UNMATTA:
(s,b,h) insane, frantic, drunk, intoxicated, puffed,
elevated, wild, possessed, mad, furious,
UNMATTATA’:
(s,b,h) insanity, lunacy, violent,
madness, delirious,
UNMADA: (s,b,h) frenzied, maddened, mad,
UNMANA/
UNMANA’/ UNMANASKA: (s,b,h) agitated,
restless, worried, absent minded, preoccupied, impatient, eager,
UNMA’DA:
(s,b,h) insanity, lunacy, violent, madness, delirious,
UNMA’DANA’Y:
frenzifully.
UNMIILITA:
(s,b,h) open, open eyed, unfolded,
exposed, manifested,
UNMUKHA:
(s,b,h) eager, attentive, looking
forward, anxious, prepared,
UNMOCANA:
(s,b,h) freedom or release from bondage,
UNMOCITA:
(s,b,h) untied, freed from bondage,
uncovered, unveiled, set free, released, liberated,
UPAKULA:
(s,b,h) shore, coast, bank,
UPACAYA:
(s,b,h) collection, assemblage,
multitude, prosperity, flourishing, improvement, nourishment, appreciation,
increase,
UPACA’N:
(s,b,h) production, expression, show,
overflows,
UPACA’R:
(s,b,h) service, attendance, honoring,
worshipping, entertaining, courtesy, salutation, external ceremony, religious
or ritualistic ceremony or items needed for that, medical treatment, means of
homage, conduct, procedure, position, place, method, style, article,
UPAR’A’N:
(s,b,h) uprooting, extirpate, eradication,
pulling up, exterminate
UPADESHA:
(s,b,h) initiation, instruction,
teaching, advice, prescription, specification, plea, pretext, guidance,
UPADESHAKA:
(s,b,h) preceptor, initiator, guide,
UPANIS’AT/
UPANIS’AD: (s,b,h) esoteric or secret
and sacred doctrine, mystical knowledge or instruction, true knowledge of the
Supreme Spirit, religious lore, philosophical aspects contained in veda’s,
veda’ntic philosophy, sam’skrta philosophical treatise giving an exposition of
the Vedas.
UPAMA’:
(s,b,h) similarity, likeness,
comparison, example, equal, simile,
UPAYOGA: (s,b,h) utility,
UPARODHA:
(s,b,h) earnest request, solicitation,
importunity,
UPAL:
(s,b,h) stone, pebble, and gem.
UPALABHDI:
(s,b,h) achievement, attainment,
UPASARGA:
(s,b,h) calamity, obstacle, impediment,
disturbance, trouble, morbidity,
UPASTHA: (s,b,h) genitary organ,
UPAHA’R:
(s,b,h) gift, presentation, reward,
UPA’DHA’N:
(s,b,h) pillow, cushion, comfort,
UPA’HA’SA:
(s,b,h) ridicule, taunt, joke, contempt, mock, jeer,
UPEKS’A’:
(s,b,h) neglect, overlook, ignore, indifference,
UPTA:
sown, sowed, sowing the seed,
UBA’:
evaporate, vanish, disappear,
UBIA’:
evaporate, vanish, disappear,
UR'ANA':
a cover, wing,
ULKA’:
(s,b,h) meteor
ULLA’SA:
(s,b,h) joy, delight, gladness,
exultation, exultant, joviality, jubilation, hilarity,
UHA:
reasoning based on a supposition or hypothesis, a specific exercise of the
intellect,
UHA-AVOHA:
thought wave, ups and downs of feelings in life,
U’:
Acoustic root of the sixth musical note,
dhaevata, (dha) equivalent to western
musical note (La or A) and sound of ass,
U’RDHVA:
(s,b,h) above,
U’RMI:
(s,b,h) wave, surge, billow,
U’S’A’:
(s,b,h) dawn, morning
U’S'AR: dry unfertile land,
U’S'ASII: (s,b,h) morning,
U’S’N’A:
(s,b,h) warm, hot, sharp,
U’S’N’ATA’,
(s,b,h) heat, warmth
U’S’N’IIK:
(s,b,h) restless, vibrant, a vedic
rhythm,
R: Acoustic root of the seventh musical note, nis’a’da (ni) equivalent to western musical note (Si or B) and sound of
elephant,
it is a half letter, pronounced both as ru and ri,
RKS’A: (s,b,h) bear, mountain, star, deprived,
RKTHA: (s,b,h) wealth,
RIKKHA’YITA: endowed with,
inherited,
RDDHI/
RIDDHI/ RUDDHI: (s,b,h) all round
prosperity, flourishing state, affluence, fortune,
RJU/
RIJU/ RUJU: (s,b,h) straight, straight
path,
RS’ABHA/
RIS’ABHA/ RUS’ABHA: (s,b,h) ox, bull,
RTA/
RITA/RUTA: (s,b,h) fact, reality,
RTAM’BHARA’:
(s,b,h) full of truth,
RTU/
RITU/RUTU: (s,b,h) season,
RS’I/
RIS’I/RUS’I: (s,b,h) sage, inventor,
RN’A/
RIN’A: (s,b,h) loan, debt,
[ Sam’skrta
Vowels Rr, Lr, Lrr are not in common popular use, though they are Ta’ntrik
acoustic roots]
E: Acoustic root of rhythmic expression or sprouting of mundane
knowledge or welfare
EI:
this
EK:
one
EKAK:
alone, unaccompanied, single, unit,
EKAT’A’NA’:
(s,b,h) consume, stretch, passed
quickly, continuous, in one direction, without break, pointed or moving in one
direction only, continually onward, incessant, without pause or break,
monotonously,
EKAT’I:
only one
EKATA’N:
in unison, harmony, agreement, accord, unity, union, unanimity, concert, common
chord, combined,
EKATA'RA':
monochord, a single stringed lyre or fiddle,
EKADA’:
(s,b,h) once,
EKHAN:
now,
EKHA’NE:
here,
ER’A’N:
to avoid, to shun, to get rid off, to pass over, to omit, to disobey,
ETO:
this much,
ENO: bring,
EMAN/
EMANAT’I: like this,
EVA:
(s,b,h) exactly, just so, only, already, as soon as, like that, emphasizing,
thus, so, in this way,
ELE:
came
ELO:
disheveled, ruffed, hanging loosely, unkemped, incoherent, irrelevant,
uncareful, haphazard, disordered,
ELOKESH/
ELOCU’L: disheveled, ruffed, hanging loosely, unkemped hair,
ES’A:
(s,b,h) wishing,
ES’AN’A’:
(s,b,h) wish, earnest desire, will, effort to get,
ESO,
come
AE:
Acoustic root of welfare in subtler sphere,
AEKYA: (s,b,h) unity, union,
concord, agreement,
AEKYATA’NE/
EKATA’N: concert, common chord, combined, in unison, harmony, agreement,
accord, unity, union, unanimity,
AERA’VATA:
(s,b,h) mammoth,
AESHVARYA: (s,b,h) supremacy,
sovereignty, might, sway, dominion, greatness, wealth, divine faculties, godhood,
powers, wealth, glory, splendor, psychic occult or supernatural capacity,
divine capacity, divinity,
------------------------------------------------------------------------------------------------------------------------------------------
O:
Acoustic root of pious resolve and universal welfare and sva’ha’, completion of
the action,
Grammatically:
and, address, oh,
OI:
that
OKHA’NE:
there,
ONM: (s,b,h) combined cosmic
acoustic root of creation, preservation and dissolution
OTA: (s,b,h) individual link,
OTAH-PROTAH: (s,b,h) diffused,
pervading, thorough, both individually and collectively
OTA-YOGA: (s,b,h) individual
merger of unit consciousness with Cosmic consciousness
ODANA:
(s,b,h) food, cooked rice,
OR’ANA’:
scarf, covering for face or bosom
OS’T’A/
OS’T’HA: (s,b,h) lips
OHA
AVOH: (s,b,h) feeling
----------------------------------------------------------------------------------------------------------------------------------------
AO:
Acoustic root of mode of veneration, surrender or salutation to the supreme or
to Lord Shiva
AOPASTHYA: (s,b,h) nerve controlling
genital organ,
[ Sam’skrta vowels Am’ and Ah are
also half letters used suffixing the Sam’skrta consonants]
KA: Acoustic root of expressed
universe and also of hope propensity
KAKUBHA:
Eastern Direction,
KAKHAN:
when,
KAKS’A:
(s,b,h) zodiac, room, apartment, chamber,
KAUNKAN’:
(s,b,h) tubular hollow ring ornament
worn in arm or feet, armlet, anklet,
KAUNKA’L: (s,b,h) skeleton,
KAUNGA’LA:
pauper, poor, beggar, broke, destitute, penniless, deprived, meager,
KACA: hair
KACI: unripe, immature,
KAJJALA:
(s,b,h) (kad+ jala): where water expands and takes the form of vapor or clouds,
cloud,
KAJJVALA
(s,b,h): (kat= ugly + jvala= shining):
collyrium,
eye-wash,
eye-salve, lampblack, cloud, dark cloud, soot,
KAT’A’HA:
cauldron, large tumbler like cooking utensil,
KAT’A’KS’A:
(s,b,h) look, side look, glance, sarcastic look,
KAT’I:
(s,b,h) waist,
KAT’U:
(s,b,h) bitter like chilly, black pepper, (1 of 6 tastes)
KAT’HIN:
hard
KAD’I/
KAR’I: joist,
KAN’IKA’:
(s,b,h) drop, nutshell, brief, particle,
KAN’T’HA:
(s,b,h) voice, neck, throat,
KATA:
how much
KATAK:
somewhat,
KATAK
KATAK/ KATAKAT’A’: somewhat, partially, to a certain extent,
KATHAN: (s,b,h) to speak,
KATHA’:
(s,b,h) words, saying, statement, voice, feeling, story, event, tale, topic,
news, about, fiction,
KATHIKA’:
story in a sketchy shape, a narration or talk,
KADALII: (s,b,h) plantain,
KADAMBA:
(s,b,h) (niip) (anthocephalus indicus A. Rich.) a flowering tree associated
with Lord Krs’n’a
KANAK:
(s,b,h) gold,
KANAKA’LOK:
(s,b,h) (kanak+ a’lok) golden light,
KANKANE
SHIITA: shivering cold, chilling cold,
KANDARA:
cave,
KANDUKA: play-ball,
KAPAT’A:
(s,b,h) deceit,
KAPAT’ATA’:
(s,b,h) deceit,
hypocrisy, cunningness,
KAPAT’A’CA’RII;
(s,b,h) hypocrite, deceitful,
KAPA’T’:
(s,b,h) door, gate,
KAPOTA: (s,b,h) dove,
KAPOLA: (s,b,h) cheek,
KABAR: grave, tomb,
KABARII:
hair in a state of being put up, chignon, braid or plait of hair, pigtail,
KABE: when,
KABHU:
sometimes, when, ever,
KAM:
deficient, short, less, small, few, not many or much, a little, inadequate,
inferior,
KAMAL/ KAMALA: (s,b,h) etymologically, (kam+
ac + la’+ d’a) “that which holds beauty”, or (kam+ alac) “that which is an
embodiment of beauty”, in both cases, the colloquial meaning is “lotus flower”
KAMPA:
(s,b,h) shiver, shudder, trembling, tremulous,
KAMPRA:
(s,b,h) trembling, tremulous, shiver, shudder,
KAMBU:
(s,b,h) conch
KAMBUKANT’HE:
loud voice like conch
KARA:
hand, ray or beam of light, tax,
KARAINJA: a variety of sour plum,
KARATA’R:
creator,
KARAN’IIYA:
(s,b,h) that which should be done,
KARAVII:
oleander flower or tree, nerium odorum,
KARA’R:
condition, stipulation, promise, agreement, assurance, vow,
KARIYA’:
prep. by, with, in, on, in a way or manner, by turns,
KARIIB:
(u,h) close, near,
KARKA’:
hailstone,
KARKA’PA’TA:
fall of hailstone,
KARABII:
oleander tree, or its flower, nerium odorum,
KARA’L:
having large teeth, terrible, awful, cruel,
KARN’A: ear,
KARN’ADHA’RA;
helmsman, steersman, pilot, leader,
KARN’A’BHARAN’:
earrings,
KARN’IKA’:
seed-vessel of flower, stem of flower, seed-vessel of lotus, stalk,
KARHA’T’:
stem of lotus,
KARUN'A':
compassion, pity, kindness,
KARUSARE:
heavy rain,
KARTAVYA:
duty,
KARDAM:
gluey mud, slime, mire, sin, turbid,
KARDAMA’KTA:
muddy, slimy, turbid,
KARMA: action
KARMAPHALA: reaction to original
action,
KARMENDRIYA: motor organ,
KAL:
machine,
KALAKA’:
decorative eardrops, embroidery,
KALAUNKA:
stain, blame,
KALAUNKII:
stained, blamed,
KALATA’N:
note, noise, tone, sonorousness, rattle, clamor, sound of a stream, peacock’s
call
KALADHVANI: low sweet and indistinct sound, a sweet
murmur, warble of birds, babble of streams
KALARAVA: chirping, warbling,
KALASHA:
pitcher,
KALAHA:
quarrel,
KALA’: curvature due to kriya’
shakti in the phase of creation,
KA’S’T’A’ KALA’: waves, crest and though,
KALA’P:
peacock’s tail, ornament worn like a waist belt, collection, multitude,
KALA'POCHU'R'A:
an ornament worn around waist, a collection, multitude,
KALI/
KALII: (u,h,b) bud,
KALILA/
KALRILA: subtlest or minutest part of the matter bordering matter and
cognition,
KALUS’A: sin, dirt,
KALUS’ATA’:
guilt, sin, fault, defilement, soil, and sully, vitiated
KALPA:
aeon,
feasible, possible, proper, excellent, without alternative,
KALPATARU:
wish-granting tree, provider of all that is asked,
KALPANA’: imagination, thought,
KALMAS’A:
dirt, filth, sin, guilt,
KALYAN’:
benevolence, welfare,
KALLOLA:
uproar, hilarious or cheerful noise,
KAVAL:
gape, gulp, gurgling, seizer, grip,
KAVI:
poet, learned, doctor, seer of truth,
KAVI
GURU: chief poet,
KAVOS’N’A:
lukewarm,
KASHA:
whip, lash,
KASHA’-GHATA:
whipping, lashing,
KAS’A’Y:
bitter like some raw fruits, (1 of 6 tastes)
KAS’T’I:
testing,
KAS’T’I
SHILA’: testing stone
KASTU’R:
musk-deer,
KASTU’RII:
musk, musk deer,
KAHLA’R:
white water lily
KA’KA:
crow,
KA’KALII:
sweet murmur or chirping,
KA’KA’RI:
owl, enemy of the crow,
KA’CHE,
close, near,
KA’J/
KA’RYA, work, action,
KA’JAL:
dark color beautification to the eye margin, collyrium,
KA’INCA’:
?
KA’T’H:
wood
KA’R’A’/
KER’E: snatch away,
KA’R’A’KA’R’I: grabbing, stealing,
KA’TAR:
distressed, afflicted, sorrowful, solicitude,
KA’TARATA’:
distress, affliction, sorrow, solicitude,
KA’NTA’R:
deep forest, impassable difficult road, terrain,
KA’NDA’/KA’NNA:
cry, weep, lament,
KA’N:
ear
KA’N
PA’TA’: to give ear to, to pay heed to,
KA’NKAN’:
bangle,
KA'NAN:
forest, garden,
KA’NA’:
to the brim, edge,
KA'NT'A':
thorn,
KA’NE
KA’NE: whispering
KA’MA: physical longing,
desire,
KA’MA-PIIT’HA:
KA’MA-BIIJA: point of bursting out of
resultant force in which lies the innate desire of creation,
KA’MAMAYA:
made out
of mundane desires,
KA’MAMAYA
KOS’A: (s,h,b)
the crudest layer of mind,
KA’MARA’UNGA’: (s,h,b) one assuming the form or color of choice, chameleon,
KA’R/
KA’RO: whose,
KA’RAN’A: (s,h,b) cause,
KA’RYA: (s,h,b) work, action,
that which should be done or performed,
KA’RS’A:
(s,h,b) dark,
KA’LA:
(s,h,b) time, death, temporal factor,
occasion, tomorrow, psychic measurement of the relative motivity,
KA'LA
RA’TRI: (s,h,b) annihilating night
KA’LA’GNI:
(s,h,b) annihilating fire,
KA’LA’TIPA’TA: (s,h,b) (ka’la+ atipa’ta) adverse time,
KA'LA
BAESHA'KHII: (s,h,b) strong annihilating northwesterly storm during summer in
KA’LA’NTARE:
(s,h,b) interval of time,
KA’LINDI:
(s,h,b) the river Yamuna’
KA’SH:
(s,h,b) a tall grass,
KA’S’A’YA: (s,h,b) peevishness,
KA’S’T’A’ KALA’: (s,h,b) waves, crest and though,
KI/
KII: what
KICHUI:
something, nothing, anything
KINA’RA’:
embankment, edge, limit,
KIUNKIN’A:
stone within tubular hollow ring ornament,
KIUNKIN’II:
(s,h,b) girdle, ankle-bell, death-bell, knell,
KINSHUK:
(s,h,b) a red flower of silk cotton tree.
KIRAN'A:
(s,h,b) ray of light
KIRSA’N (bd): farmer,
KIRIT’A:
crown, coronet,
KISHALAY:
(s,h,b) green tender leaf, young shoot with such leaf,
KISTI:
check
KIIT’A:
(s,h,b) insect,
KIIRN’A:
(s,h,b) scattered, strewn here and there, pervaded, spread or extended,
KIIRTANA: (s,h,b) singing of the
name of the Lord,
KIIRTI:
(s,h,b) glory, fame, renown,
KIIRTITA:
glorified, narrated, sung, extolled, celebrated,
KUA’SA’:
fog, mist,
KUNKUR’A’N:
(b,h) to shrink, to shrivel, to recoil, contracted in a circular shape,
KUKUR:
dog
KUKURCHA’NA’:
dog-puppy
KUJJHAT’IKA’:
(s,h,b) violent storm,
KUCAKRA:
(s,h,b) conspiracy, plot, scheme, plan,
KUINCITA: (s,h,b) curled, curling, shrunk, wrinkled, shriveled; wizen, contracted, curved,
KUINJA:
(s,h,b) arbor, place surrounded by trees, plants, creepers and shrubs, round
house, grove, bower, garden with dense plants, shrubs or trees,
KUT’IL:
(s,h,b) crooked,
KUT’HA’R:
(s,h,b) axe, hatchet,
KUR’AN:
to draw together what was lying scattered, to collect, gather, sweep, glean,
pick up,
KUR’IYE
PA’OA’: collected, swept, gathered,
KUN’A’L:
(s,h,b) stalk of lotus or water lily
KUN’T’HA’:
(s,h,b) complexes, hesitation, hesitancy, diffidence, feeling of delicacy,
KUN’D’
KUN’D’ALINII: (s,h,b) energy/
para’shakti lying dormant as fundamental negativity
KUNTAL:
(s,h,b) head-hair, tresses,
KUNDA:
(s,h,b) a type of jasmine,
KUMUDA:
(s,h,b) water lily,
KUMUDOPAMA: (s,h,b) (kumuda+ upama) best lotus,
KUMERU: (s,h,b) dangerous
hill,
KUMKUM:
(s,h,b) vermilion, red powder,
KUMBHA:
(s,h,b) pitcher, pot,
KUMBHAKA:
(s,h,b) retention of breath inside,
KUMBHIPA’KA:
hell,
KUMBHIIRA:
(s,h,b) crocodile, alligator,
KURAM’GA:
(s,h,b) male deer, stag, buck,
KURIISH: (s,h,b) (a
rare word used by BA’BA’) a piece of hard dried dung, brick, stone,
KURIISH KA’LIMA’: the darkness like hard dried dung,
KURUVINDA:
(s,h,b) corundum, gem, mirror, central vermilion decoration mark on forehead
etc.
KURUKS’ETRA:
the battlefield of the Mahábhárata war, the world of action and fight,
KULA: (s,h,b) ego of
dynasty,
KULAKUN’D’ALINII: the coiled serpentine
KULA’CALA: (kula+acala) Highest Dynasties,
KULA’Y:
bird’s nest, cozy abode,
KULIN:
belonging to a respectable, honorable family,
KULINATA’:
feeling of belongingness to honorable family,
KULIISHA:
thunderbolt, stone,
KUVALAYA:
blue lotus
KUSHA:
jackstraw grass
KUSHA
KA’SHA: jackstraw grass
KUSHA’GRA: pointed, sharp, like tip of kusha grass,
KUS’T’HI/
KOS’T’HI: nativity, horoscope
KUS’T’HIL:
?
KUSUM:
flower
KUHAK:
delusion, deception, jugglery, magic, charm,
KUHU: nerve controlling
genetary organ, cooing of a cuckoo,
KUHELIKA’:
fog, mist, surrounding by darkness
KU’JAN:
resounding, chirping of birds
KU’T’ASTHA: Nucleus consciousness,
KU’T’ASTHA
CAETANYA: nucleus
consciousness or Atman in the unit structure having controlling station at the
middle point between the eyebrows.
KUN’A’L:
stalk of lotus or water lily
KU’RMA: one of external va’yus
giving function of contraction, tortoise,
KU'LA:
shore, bank, border, edge, limit, end,
KUVALAY:
blue lotus,
KRTAJINA: grateful,
KRTAJINATA’:
gratefulness,
KRTA’RTHA:
successful, gaining of object, oblige, satisfy, satiate, contented,
KRPA’/
KRIPA’/ KRUPA’: grace, kindness, compassion,
KRPAN’:
miser,
KRS’A’N’
(b)/ KIRSA’N (bd): peasant, farmer,
KRS’NA
/ KRIS’N’A, black, Lord Kris’n’a, Ta’raka Brahma, assuming physical body (born)
about 3500 years ago in
KRSHA’N’U:
fire,
KRTAJINATA’: obligation,
KLRPTA: (vedic sam’skrta): equipped, prepared, done,
got ready, cut, fixed, settled, thought of, invented, accomplishment, to be fit
or adequate for, result in, bring about, accomplished, produce, tend to, to be
well managed or regulated, to succeed, to become, happen, occur, to be prepared
or ready, to be favorable to, to subserve, to partake of, to prepare, arrange,
settle, divide, provide, or furnish with, consider, adorned, decorated,
(ABHIKLRPTA=
well accomplished) (SAM’KLRPTA: (vedic), saturated, drenched,)
KE,
who
KEKA’:
peacock’s call
KETAKII:
screw pine (genus pandanus) flower having intense and pleasing fragrance, its tree,
KETAN:
banner, flag, home, banner, abode, site, place, (vajra ketan= site of
lightning)
KENA’: to buy, to purchase,
KENO:
why,
KENDRA: center, nucleus,
KEMANE:
how
KEYA’:
screwpine, its flower,
KEYUR:
armlet, ornament, jewel,
KEVALAM: only,
KESHA:
hair,
KESHAR:
stamen,
KOKILA:
a female cuckoo
KOS’T’HA:
room, compartment, granary,
KOTHA’:
where,
KOTHA’KA’R:
of or from which or what place, of or from an unknown or contemptible place,
KOTHA’Y:
where,
KODAND’A:
bow
KON
KHA’NE: where,
KON’E;
corner, recess,
KOMAL:
fascinating, charming, soft, fine, nice, beautiful, handsome,
KOR:
lap,
KORAKA:
(b,s,h) bud, nucleus of flower, essence, treasure,
KOL:
lap, bed, to embrace,
KOL A’NDHA’RE: embracing darkness,
KOL
TOLA’: to lift up into lap,
KOLA’KULI:
mutual embracing, warm greeting, alliance or mutual understanding,
KOSHA’TKIIR:
?
KOS’A: layer
KOHA:
(h,u) hill, mountain, hillock, anger, wrath,
KAOMUDII:
moonlight, soothing, illuminating,
KAOLINYA:
honor,
KAOSHIKA:
incased, sheathed, silken, owl, lexicographer, marrow, knower of hidden
treasure, covering,
KAOSHIKII: Shivanii, Prakrti as cause
of origin of different kos’as,
KAVOS’N’A:
lukewarm,
KRAKARA: one of external va’yus
helping in yawning,
KRANDAN:
crying
KRANDAN
RATA: full of crying
KRA’NTI: evolution,
KRIID’A:
natural play,
KRID’ANAK: player
KRIID’A’:
game or play of which rules are known,
KRU’RA:
cruel
KRU’RATA’: cruelty,
KRODHA: anger,
KLA’NTA:
tired, exhausted,
KLA’NTI:
tiredness, weariness, fatigue, exhaustion,
KLEDA:
liquid filth or soil, morbid matters secreted from body, dirt,
KLESHA: affliction, agony, pain, trouble, sorrow,
KLESHA'RTA:
distressed with sorrow,
KLIS’T’A:
afflicted
----------------------------------------------------------------------------------------------------------------------------------------
KHA: Acoustic
root of the propensity of anxiety,
KHAINJA: lame
KHAINJAR: a short dagger
KHAINJARII: a wag-tail bird,
KHADYOT:
glowworm, firefly,
KHANI:
quarry, mine,
KHANIK/
KS’AN’IK: for a little while, momentary,
KHAR:
sharp, keen, severe, fierce, strong, violent, fast, harsh, hard,
KHARA’:
(b) sunshine, sun, summer, drought, strongly fried, over fried,
KHARKHAR/
KHARTAR: (b) expressing, grating noise or sensation, quickness, rough,
KHARJUR:
date-palm or its fruit, date,
KHARPAR:
a piece of broken earthenware, potsherd, skull, alms dish, beggar’s bowl,
thief, knave, rogue, sharper, cheat, scimitar, a single edged curved sword,
KHARVA:
reduce, shorten, cut, diminish, humble, lower, foil, thwart,
KHAL:
naughty, hypocrite, cheat,
KHASA’:
come off, detach, fall off, drop, slip, shed, loosen, disheveled, flee, escape,
KHA’INCA’:
cage, frame,
KHA’NA’:
(h,u) eating, food,
KHA’NI:
indicating a number, fragment or piece, used as article “the”,
KHA’NIK:
for a little while,
KHA'NE: place
KHA’MOSHII (u): silence,
KHA’R: ash,
KHILA (s): nail,
KHILA (u,h) to bloom, to open up,
KHILONA’: toy,
KHU’NTA: defect, scar, ugly mark, flaw, fault, omission,
blemish, lapse, imperfection,
KHEYA’:
ferry, ferryboat,
KHELA’:
play, game, drama, acting,
KHELA’GHAR:
Playhouse, game pavilion, drama hall, stage,
KHELA’
DHULA’: sports and games, pastime, play, game, drama, acting, entertainment,
KHEYA’L:
fancy, whim,
KHONCA’:
thorn, prickling,
KHOHA:
cave, pit, cavern, abyss, crypt,
GA:
Acoustic root of effort propensity,
GAGAN:
sky,
GAJJA:
sarcastic comments, ironical talk,
GAINJANA’:
scolding, chiding, upbraiding, insult, reproach, putting to shame, humiliation,
GATA’NUGATIKATA’:
subservience to routine or beaten track, customary, conventional, traditional,
GANGOTRII:
origin place of the holy river ganges,
GAR’A;
to create, construct, to shape, to beget, to constitute,
GAN’A:
assemblage, collection, multitude, community, class, group, genus, masses,
family, clan,
GAN’A-CETANA’: community- consciousness,
GAN’A’DHIISHA:
controller of the expressed world and divinities,
GAN’D’A:
cheek,
GAN’D’II:
line of demarcation, limit, resistance,
GATA’SU:
(gata+asu) expired, dead
GATI:
speed, motion, go, alternative, refuge, shelter, remedy, solution, consequence,
way out, movement,
GANGAN
(b): expressing, blazing,
GANDHA: smell,
GAMAN: going
GAMANA’GAMAN: coming and going
GARAL:
poison,
GARIMA’:
exaltedness, greatness, glory, majesty, dignity, influence, charm,
GARIIYA’N:
heavier, more important,
GARJAN:
thunderous sound, roar,
GARVA: pride,
GALA’N:
to melt, to be kind,
GAHAN:
depth,
GAHVARA:
(s,b) hole, cavity, pit, deep, cave, impervious, abyss, depth, thicket, forest,
cavern, inaccessible place, hiding place, riddle, hypocrisy, weeping, crying,
arbor, bower, recess in a rock or mountain,
GA’CHA: tree
GA’CHA PA’LA’: vegetation,
GA’THA’:
event, story, affairs,
GA’NA/GA’Y:
song,
GA’NTHA’:
threading, attaching, studding (garlands, gem etc.)
GA’NDHA’RA: sound of goat,
GA’MII:
going, moving, indicating,
GA’Y/GA’TRA:
body,
GA’HAN:
immersing or dipping the body in water, bathing, singing,
GIRANA’:
(h) to fall,
GIRI:
mountain, hill,
GIITI
/ GIITA: song, poem, melody, hymn, lyric, poem, chanted, sung
GUCCHA:
cluster, bunch, fascicle, bundle, tuft,
GUCHA’N:
to set right, to arrange, to provide for, manage,
GUNJA:
humming, reverberation, noise,
GUINJA’:
a colored red and black seed or its plant,
GUINJA’MALA’: garland of guinja’, a red and
black seed,
GUN’R’IYE:
subside, cowering position, to pulverize, to crush, to powder down, to beat, to
gore, to disintegrate, to pound,
GUN’A: quality, characteristic,
attribute, binding principle
GUN’AKS’OBHA: internal friction within
Prakrti,
GUN’AYUKTA: qualified,
GUN’A’DHIISHA:
controller of the attributes,
GUN’ITAK:
multiple,
GUMAR’IYA:
gathered, overflowed,
GUMAR:
vanity, pride, to brag, to boast,
GURU: the preceptor, master,
great, heavy, long,
GURU
MANTRA: the second lesson in Ananda Marga Sa’dhana’,
GURUPIIT’HA:
abode of preceptor,
GUL
(u): flower, rose, soft, dissolved, absorbed,
GULADASTA’ (u): flower vase,
GULABA’GICHA (u): floral garden,
GULA’L (u): colored
powder used during festivity
GULI
(b): plural form indication in bangla words,
GULMA
(s): shrub, clump or cluster of trees, bush, fort,
GUHA’
(s): cave, recess,
GU’R’HA
(s): secret, hidden, concealed, surreptitious, unrevealed, deep, invisible,
inaccessible, incomprehensive, intricate, profound, mysterious, occult,
esoteric, lonely,
GRDDHA
(s): vulture
GRHA:
home, house,
GECHI
(b): (I) go on
GECHE
(b): went, gone, past,
GERI/
GERUA’ (h/b): color of red ochre, pale yellow color, clay, brownish red,
GEHA
(s): home, house
GAERIK
(s): color of red ochre, pale yellow color, clay, brownish red,
GO
(b): form of address
GOKUL:
The place in north
GOCAR:
within the scope, power or range of sense perception or sense organs,
jurisdiction of influence, perceptible, view, vision, sight,
GOT’HA:
grazing ground, pasture,
GOR’E:
thick wrath of flower,
GON’A’/
GUN’A’/ GAN’A’: count, consider, string or thread,
GOPAN:
secret
GORASA: cow-milk or its products,
GOLAK
DHA’NDHA’: a labyrinth, maze, an intricate problem,
GOLOKA:
heaven,
GOS’T’HA
(s,b): pasture, grazing ground, meeting-place, assembly, association, society,
club,
GOS’PADA:
small pit made by cows on the ground, puddles,
GAOR’A: An area in eastern
GAORAVA:
glory, self-aggrandizement,
GRANTHI:
knot,
GRANTHI RASA: hormone
GRASTA: eclipsed,
GRAHA: planet
GRAHASHA’NTI: neutralizing the evil
influence of stars,
GRIIS’MA:
summer
GLA’NI:
weariness, tiredness, exhaustion, fatigue, dirt, disrepute, slander, agony,
repentance, disgrace,
----------------------------------------------------------------------------------------------------------------------------------------
GHA:
Acoustic root of propensity of attachment and love,
GHAT’A’: occurrence, pomp, grandeur, éclat,
collection, multitude, to happen, to occur, to arise, endeavor, effort,
exertion, number, troop, assemblage,
GHAT’A’KA’SHA: cloudy sky,
GHANAGHOR:
much intense, dense, overcast with thick clouds, darkened with clouds,
GHAR:
(u,h,b) home, house
GHARA’NA’: school or style of ra’ga and ra’ginii in
rhythmic music
GHARGHAR: moving or rotating with rattling sound.
GHARMA: sweat, perspiration,
GHARMA LIPTA: smeared with sweat,
GHARE:
into home or house,
GHA’TA:
blow, hurt,
GHA’T
PRATIGHA’T: blow and counter blow,
GHRN’A’: hatred, revulsion,
GHRTA:
clarified butter, ghee, used as fuel wick for burning the lamp,
GHEE:
clarified butter, ghee, used as fuel wick for burning the lamp,
GHENSA’N:
touching, rubbing, roughness,
GHERA:
surrounding, encircling, enveloping, covering,
GHERIYA’:
surrounding, encircling, enveloping, covering,
GHU’CE:
/ GHUCA / GHUCA’LO: destroy, cease to exist, annihilate,
GHUM:
sleep, slumber,
GHUMANTA: sleeping,
GHURA’:
surrounding, encircling, enveloping, covering,
GHU'RN'I
VA’Y: cyclonic wind
GHU'RN'I
JHAR'A: cyclonic storm,
GHOCA’N:
destroy, cease to exist,
GHOMTA’:
veil,
GHOR:
frightful, dreadful, awful, severe, excessive, extreme, intensive, dense, var.
of ghura’n
GHORA’N:
waft, surrounding, encircling,
GHOS’A:
announcement,
----------------------------------------------------------------------------------------------------------------------------------------
UNA:
Acoustic root of propensity of arrogance or vanity,
---------------------------------------------------------------------------------------------------------------------------------------
CA:
Acoustic root of conscience and discrimination,
As
per Sam’skrta Grammar it means and, additionally,
CAU
DEYA’L: boundary wall,
CAKIT:
startled, taken aback, timid, instant, in jiffy,
CAKOR:
a bird (bartavelle) said to enjoy drinking moonbeam,
CAKRA:
wheel, cycle or circle, psycho-spiritual center or plexus, ring, collection or
group of persons or faction.
CAKRANA’BHA:
nucleus of the cycle, hub of the wheel,
CAKRANEMI:
the periphery or rim of a wheel or cycle, circumference of a circle,
CAKS’U/
CAKS’UH:
eye,
CAKS’U
INDRIYA:
organ of vision,
CAINCALA:
restless, restive, frisky,
CAND’A:
furious, tremendous, violent, fierce, angry, ferocious, sever, strong,
CAND’ATA’:
strength, anger, power, force,
CAR’A’NA:
feet, to mount, ride, climb, board,
CATUR:
intelligent, dexterous, skillful, ingenious, clever, cunning, artful, crafty,
sly, expert,
CANDAN:
sandal, sandalwood, sandal wood paste,
CANDRA:
moon,
CANDRALEKHA’: a small digit of the moon,
CAMAK: shine, lighted, clear, bright, lucent,
shining, effulgent, glittering, glistering, sparkling, brilliant, flashing,
CAMATKA’R: amazement, marvellous,
CAMPAKA/ CAMPA’: a flower or tree of magnolia
family, michelia champaca,
CAYANA:
selection, to select, collection,
CAYITA:
selected,
CARAN’A: to move, feet, support, pillar,
step, quarter, performance, behavior, accomplishment,
CARAMA: supreme, highest,
maximum,
CARCITA:
smeared, painted, anointed, discussed,
CALA’/
CALECH/ CALE CHILO, going, movement
CA’I:
want, like
CA’K:
taste/enjoy/like/deserving?
CA’KA’:
wheel
CA’KACAKYA/
CA’KCIKYA: luster, glaze, polish, showy glitter, glamour, smooth and bright,
CA’KS’US’A:
evident, visible, apparent,
CA’INCALYA:
restlessness, quaver,
CA’TAK:
a bird supposed to live only on rain-drops,
CA’NDA:
moon,
CA’PA’:
press, pressed, hidden, concealed,
CA’OA’:
look at, desire, yearning, favorable inclination,
CA’R/CA’RI:
four,
CA’RAN’A:
moving, grazing cattle, grazing ground, pasture, glorifying announcer,
CA’S:
(you) want or wish,
CA’S’II:
ploughman, farmer,
CA’HANI
(b): wanting, asking, desiring, looking, eye opening, look, glance, demand,
CA'HIYA':
desiring
CIK: tight necklace, laced sun-blind,
CIKAN: smooth, bright, glossy, glazing, lustrous,
CIKUR: hair, tress of hair, lock of hair, lightning,
moving, tremulous, fickle, unsteady, rash, inconsiderate, chignon,
CIKIIRS’A’: (s) desire to do, will to act or
perform,
CIT: Consciousness, cognitive
faculty, ectoplasmic energy,
CITA’:
funeral pyre,
CITACHOR:
stealer of mind, captivator of the mind or heart,
CITI-SHAKTI: Pure Consciousness,
Cognitive Principle,
CITTA: mind stuff, objectivated
mind, ectoplasmic structure
CITTA
HA’RII: enchanting, charming, engrossing,
CITTA’N’U:
mind-atoms or ectoplasmic particles,
CITRA:
figure, sketch, photo,
CIDAMBAR: (cit+ambar) mental space or sky,
CIDGHAN: the supreme consciousness or spirit,
CIDA’BHA’S: canvas of mind,
CIDA’KA’SH:
firmament of mind, canvas of mind, sky of mind, mental sky,
CINI,
recognizing, perceive, acknowledge, distinguish, concede, realize, accept,
admit, know, apprehend, admit, introduce, identify,
CINTA’: anxiety, worry, deep
thinking,
CINMAYA:
personified consciousness, composed of consciousness,
CIBUK:
chin,
CIRA:
everlasting, perpetual, endless,
CIRA
HARIT: evergreen,
CIRANTANA: constant,
CIRA’YATA:
pervading for ever, all pervading, eternal, universal, ever-pervading,
CIHNA:
mark, impression, spot,
CIITKA’R:
thunder, shouts, roar, cry,
CIINA’NSHU/ CIINA’NSHUK : Silken bed sheet (ciirn’a+
am’shu= split silk thread) used in PS
at several places,
CIIRA:
piece of rag, cloth, bark of tree, slip of paper,
CUP/CUPI:
silently,
CUMBAK:
magnet,
CUMKI:
spangle, shining foil, tinsel,
CU’K:
fault,
CU’NII:
ruby,
CU’R’A:
bracelet,
CUYA’:
condensed perfume,
CU’R:
powder, to crush,
CU’RI:
stealing,
CU’RN’A,
to crush to powder, pulverize,
CU’L:
head-hair,
CES’T’A’: endeavor, effort,
CETANA’: consciousness
CETANA’DHA’RA: spiritual or supramental
body,
CAETA/CAETRA:
last month of Bengali (and first month of other Hindu) year (mid March to mid
April)
CAETIK:
mental or intellectual,
CAETII:
relating to caeta month,
COKHA/COKHE:
eyes,
CORA'BA'LIR:
quicksand, marshy land
CYUTA:
detached, coming out, fall,
------------------------------------------------------------------------------------------------------------------------------------------
CHA: Acoustic root of the
propensity of psychic depression or nervous breakdown
CHAK: checker board, check, plan, sketch, outline,
shape, pattern, graph, draft, map,
CHAR’A’:
scatter, spread, stretched,
CHAT’A’:
glow, shine, luster, light, beauty, glamour, splendor,
CHANDA,
rhythm,
CHANDAMAYA:
embodiment of rhythm,
CHANDA
PATAN: break or defect in poetical meter,
CHAL/
CHALANA’: deceit, fraud, impish, delusion, cheating, naughty, mischief,
CHAVI:
image, figure, sketch, photo, painting, picture, portrait; glow, luster, beauty
show,
CHA’I:
ash,
CHA’ONI
(b,h): roof, awning, army base
CHA’NDASIKATA’: prosody, rhythm, metrical quality,
CHA’PA:
imprint, stamp, mark, impression,
CHAR’A’:
excluding, releasing, quit, forsake, take off, leave, give up, detach,
disentangle,
CHA’TRA:
student,
CHAR’I/
CHER’A’: excluding, releasing, starting, initiating, open, loosen, exempt, cast
off,
CHA’YA’,
shadow, shade, spread
CHA’YA’
PATH: the milky way, galaxy,
CHA’R: burnt to ashes,
CHA’R KHA’R: burnt to ashes,
CHIT’AKA:
to scatter,
CHINR’A’/
CHENR’A: tear, rend, rip, open, detach, pluck, uproot, pull,
CHIDRA:
hole, opening, hole, gap, opening, defect, cut, flaw, blemish, weakness,
piercing, boring, perforation,
CHINI MINI/ CHINI MINI KHELA’: play of ducks and
drakes, reckless use or expenditure, squandering, to fritter away,
CHINU:
was, have been,
CHINNA:
torn, rent, split, cloven, cut, detached, amputated,
CHINNA
BHINNA: torn or cut or broken to pieces, fragmented,
CHILO:
was
CHUT’E:
rushing,
CHEDA:
hole, gap, opening, defect, cut, flaw, blemish, weakness, piercing, boring,
perforation,
CHENR’A:
tear, rend, rip, open, detach, pluck, uproot, pull,
CHENCA':
screened, filtered, sieved, selected,
CHOYN:
touch,
CHOT’O/
CHOT’A’/ CHOT’E: small
--------------------------------------------------------------------------------------------------------------------------------------
JA: Acoustic root of the
propensity of ego, conceit,
JAKHAN,
when
JAGAT:
the world,
JAGAT
JOD’A’: worldwide,
JAGAT
PATI: the owner of the world,
JAUNGAMA:
(s,h,b) animate, mobile, moving
JAUNGAL:
(s,h,b) forest, jungle,
JAT’A’:
matted hair, mane,
JAT’ILATA’: (s,b,h) complexities,
JAT’HAR: belly, stomach, womb, interior, digestion,
hunger,
JAD’A: (s,h,b) (pronounced
JAR’A) inert, inanimate, worldly, earthly, material, crude,
JAD’ATA’
: (s,b,h) (pronounced JAR’ATA’), inertia, lifelessness,
JAD’A’DHA’RA: (s,b,h) (pronounced
JAR’A DHA’RA’) the physical body or base,
JAD’ASPHOT’A: (s,b,h) (pronounced
JAR’A SPHOT’A) structural dissociation or explosion or bursting,
JARA’N/
JAR’A’YE/JAR'IYE: (b) embraced, hugged, grasped, grapple, wrap, intertwined,
tangle, surrounding, encircling, gripped, seize, clasped, clinched, closed,
JATA/JATO,
whatever, how much,
JATAN/
YATAN/ JATNA: effort, care, struggle, try, attempt
JANAH: (s,b,h) a subtle layer
of cosmic mind,
JANARLOKA: (s,b,h) subliminal
world,
JANANA: (s,b,h) to give birth,
JANAPADA: (s,b,h) habitation,
village or town,
JANAM
/ JANMA: (s,b,h) birth,
JAPA:
(s,b,h) incantation, repetition of
mantra,
JAMAK:
pomp, grandeur, splendid, spectacular,
gorgeous,
JAMIIN: land,
JAYA:
(s,b,h) victory,
JAYA
BHERII: victory drum
JARA’: (s,b,h) old
age, decrepitude, infirmity, worn out,
JALA: (s,b,h) liquid factor,
water,
JALPANA’:
conversation, garrulity, prating, utterance, talk, speculation, proposal,
discussion,
JALADARCI:
(s,b,h) rainbow,
JALA
SIKTA: (s,b,h) wet with water,
JALIIYATA’:
(s,b,h) moisture, humidity,
JALUSA:
luster, brightness, splendor, glamour
JAHA’N:
(u.h) world, where,
JA’OA’:
going
JA’BO:
will go
JA’GARAN’A: (s,b,h) awakening,
JA’GA’LE:
awaken, bring into senses, raised,
JA'GA'LO:
awaken, bring into senses, raised,
JA’CCHI:
going
JA’TIKA’: (s,b,h) (birth,
origin, caste, breed, race, community,) ?
JA’DU’: (u,h) magic,
JA’DU’GAR: (u,h) magician,
JA’NA’:
(b,h) known
JA’NA’:
(h,u) going,
JA’NA’LE:
to make aware, reveal, impart, declare, divulge, communicate, disclose, relate,
inform,
JA’YATE: (s) comes up, creates,
JA’R:
(b) whose
JA’RII:
(u,h) continue
JA’LA:
(s,b,h) web, net, mesh
JA’HA’I:
whatever,
JA’HA’N
(u): world,
JIGAR:
heart, vitality, courage, spleen,
JIJINA’NSA’:
(s,b,h) curiosity, inquisitiveness,
JIGHA’NSA’:
(s,b,h) desire to kill,
JINDAGII:
(u,h) life,
JIYANKA’T’HIR:
touchwood of life,
JISMA;
(u) body,
JISMA’NII:
bodily, pertaining to physical body,
JIHVA’: (s,b,h) tongue
JIIRN’A:
worn out, decayed, dilapidated, emaciated, improvised
JIIRN’A
KANTHA’: worn out rag,
JIIVA; (s,b,h) animated
existence, unit soul,
JIIVAN:
(s,b,h) life
JIIVA’TMA’: (s,b,h) unit soul,
JIIVITA:
(s,b,h) live, alive,
JUR’I:
JUR’A’N: join, add, affix, attach, yoke, harness, begin, commence, spread,
pervade, cover, to cool, to allay, to console, to satisfy, associate, accomplice,
pair, match,
JUGUPSA’: (s,b,h) backbiting,
JUJHIYE:
fighting, struggling,
JETE:
going,
JEDA:
stubbornness, insistence, tenacity,
JEMAN:
the particular way,
JIGYA’SU:
(s,b,h) inquisitive, inquiring, desirous of knowing,
JIN,
to win, victory
JIYANKA’T’HI:
JU’HII:
jasmine,
JETHA’:
JEKHANE: where,
JER:
outcome,
JOGA’N/
JOGA’N: supply, purveyance, finding, provide,
JOR’A
(bd) stream,
JOR’A’/
JUR’I: JUR’A’N: join, add, affix, attach, yoke, harness, begin, commence,
spread, pervade, cover, to cool, to allay, to console, to satisfy, associate,
accomplice, pair, match,
JONA’KI:
firefly, glowworm,
JOA’R:
high tide,
JOR:
strength, power,
JYA’NTE:
living
JYOTI:
(s,b,h) light,
JYOTI
SAM’PA’T: (s,b,h) illuminated,
JYOTIS’KA:
(s,b,h) luminous celestial body, stars,
JYOTSNA’:
(s,b,h) moonlight,
JVA’LA’
/ JVELE: (s,b,h) lighting, kindling, burning, sting, pain, blazing,
JVA’LA’MUKHI:
(s,b,h) volcano,
(JINA is sometimes pronounced as GYAN)
JINA’TRTVA: (s,b,h) knower ship
JINA’NA: (s,b,h) knowledge
JINA’KS’I: (s,b,h) eyes of knowledge,
JINA’NA-SHAKTI:
JINA’NA’MBUDHI: (s,b,h) the ocean of knowledge,
---------------------------------------------------------------------------------------------------------------------------------------
JHA:
Acoustic root of greed and avarice propensities,
JHAK JHAK: sparkling, glittering, shining,
glistening, glossy, radiant, gleaming,
JHAUNKA’R:
jingling or clattering or humming sound,
JHAINJHA’
/ JHAINJHA’VA’T/ JHAT’IKA’, storm, tornado, typhoon, cyclone,
JHANJHAN
(b): expressing, repeated or continuous clattering sound or chinking, jingle,
dizzy sensation,
JHAT’ITI:
quick, fast, sudden,
JHANATKA’R:
clattering sound as of weapons,
JHAMA’JHAM:
the pattering sound of the rain drops,
JHAROKHA’:
window,
JHALA’N/
JHALE: illumination, spray, outburst, spell, sparkling, shine,
JHALAKA/
JHALAKA’Y: dazzled, flashed, coruscated, gush, spray, outburst, spell,
sparkling,
JHALAMALA:
glittering, shining, flashing, expressing,
JHALASA’N:
dazzle, daze,
JHARA’/
JHARA’LE/ JHARILE: discharge, ooze, exude, flow, spread,
JHARN’A’: str